Chuck Gunderson on Talk Radio Europe

Author of Some Fun Tonight! The Backstage Story of How the Beatles Rocked America: The Historic Tours 1964-1966, Chuck Gunderson, spoke with Dave Hodgson host of The Daily on Talk Radio Europe. They spoke about some of the Beatles biggest moments, what you can find inside the book, and lots more! Listen to the whole interview by clicking on the link below!


>>Listen<<

00160940Never has there been a book on the Beatles quite like Some Fun Tonight! The Backstage Story of How the Beatles Rock America: The Historic Tours of 1964-1966. Covering the group’s three North American tours (1964-1966) in astonishing detail, author Chuck Gunderson’s comprehensive two-volume boxed set gives readers a city-by-city synopsis of the Beatles’ activities as they traveled the United States and Canada for their groundbreaking series of concerts. So authoritative is Gunderson’s work that Ron Howard is using it as source material for his upcoming Beatles documentary, whose working title is The Beatles: Eight Days a Week, due out in theaters and on Hulu in the fall.

Produced in a slick, glossy, full-color format, and housed in an attractive slipcase, these truly essential books for any Beatles library retail for $160. This fall, Backbeat Books will provide Beatles fans will a less expensive, but no less impressive, alternative: a two-volume soft-cover edition with each volume retailing for $40.

From San Francisco’s Cow Palace show on August 19, 1964, through their last-ever live performance at that same city’s Candlestick Park on August 29, 1966, Some Fun Tonight! covers the music and the madness that characterized the Beatles’ North American tours. Supported by hundreds of photographs and images of rare memorabilia, it is the definitive reference for what is arguably the most important period in the Beatles’ long and winding career.

Never before have the Beatles’ North American concerts been covered in such depth. Some Fun Tonight! includes the behind-the-scenes negotiations, the mayhem at the airports and hotels, the cheeky quotes delivered at the press conferences, the opening acts, the concerts, and the stories behind the shows through the eyes of the Beatles, their entourage, the promoters, the emcees and the fans.

If you witnessed the mania firsthand, you’ll relive the excitement in the pages of these books. If you were born too late to be a part of those halcyon days, you’ll learn what it was like to be swept up and carried away by the phenomena of the greatest musical act of all time.

Trevor Tolliver speaks with Tony Peters

Author of the book You Don’t Own Me: The Life and Times of Lesley Gore, Trevor Tolliver, was interviewed on Icon Fetch. Icon Fetch provides listeners with weekly music interviews, album reviews, and lots more. Trevor spoke with host Tony Peters about the book, how he gathered all his information, and his friendship with Lesley Gore. Listen to the entire interview below to learn more!


 >>Listen<<

00146488The year was 1963. Tail fins were in, sock hops were hot, and a fairytale white knight was president.

That summer, 16-year-old singer Lesley Gore released her debut single, “It’s My Party,” propelling her to Number One on the charts. For the next several years, the crowned Princess of Pop dominated the radio with a string of hits including “Judy’s Turn to Cry,” “She’s A Fool,” “Sunshine, Lollipops & Rainbows,” and the rousing anthem for independence, “You Don’t Own Me,” making her the most successful and influential solo female artist of the 1960s. But beneath the bubblegum façade was a girl squirming against social and professional pressures to simply be herself and to forge a future where she could write and perform music beyond the trappings of teenage angst and love triangles.

Assembled over five years of research and interviews, You Don’t Own Me: The Life and Times of Lesley Gore by Trevor Tolliver (September 2015, Backbeat Books, $27.99) is the first and long-overdue biography of Lesley Gore, one of pop music’s pioneering Mothers. Tolliver chronicles Gore’s meteoric rise to fame, her devastating fall from popularity and struggle for relevance in the 1970s, and her reemergence as a powerful songwriter, political activist, and camp icon.

You Don’t Own Me includes behind-the-scenes stories about the making of her hit records, debunks or clarifies popular myths about her career, and places her remarkable life and times within a historical context to reveal how her music was both impacted by, and contributed to, each decade of her astounding fifty-year career.

Confessions of a Serial Songwriter

Confessions of a Serial Songwriter

by Shelly Peiken


From the songwriter behind such hits as “What a Girl Wants” and “Bitch” comes a memoir that offers an insider’s perspective on the music business and the craft of songwriting.


 

Website

Shelly Peiken, well known for writing culturally resonant, female-empowerment anthems such as Christina Aguilera’s No. 1 hit “What a Girl Wants” and Meredith Brooks’s smash hit, “Bitch,” looks back on her career and inside the business of songwriting in her memoir, Confessions of a Serial Songwriter.

A humorous and poignant pop culture memoir about Peiken’s journey, Confessions of a Serial Songwriter takes readers into the rarefied world of the music business. From a young girl falling under the spell of magical songs to a working professional writing hits of her own, Peiken describes how she built a career, from fledgling songwriter, pounding the streets of New York City to Grammy nominations, international hits, and the first Number One song of the millennium.

David Wild, contributing editor for Rolling Stone, calls Confessions of a Serial Songwriter “a great book [that offers] an insightful, honest, often funny, emotional look inside the good, the bad, the ugly, and ultimately the transcendent aspects of trying to lead a creative life inside a competitive career.”

In addition to the fascinating biographical trajectory, Peiken presents invaluable information for the aspiring songwriter, including tips about the creative process and how to adapt to the constantly changing currents. “Now more than ever, people who want to enter this topsy-turvy world of professional songwriting need to know how to handle the inevitable ups and downs that accompany what, for me, has a been an incredibly gratifying journey,” said Peiken.

In Confessions of a Serial Songwriter, Peiken writes about personal growth, how to recognize your muse and navigate the creative process as well as the struggles that arise between motherhood and career success. While she’s not afraid to delve into the divas, celebrity egos and schemers, it is the talented and remarkable people she’s found along the way that predominate the text. And, finally, Confessions of a Serial Songwriter raises the obvious though universal challenge of getting older and staying relevant in a rapidly changing and youth-driven world.

 

$19.99
6.0″ x 9.0″
280 pages
Softcover Original

9781495049255
B/W photographs throughout
Hal Leonard Books, an imprint of Hal Leonard Corporation

 

ABOUT THE AUTHOR:

SHELLY PEINKEN is a Grammy-nominated songwriter. She has been a prolific, behind-the-scenes force in the music business for more than two decades. Her songs have sold in excess of 50 million records. She is beast known for penning culturally resonant anthems, including Christina Aguilera’s “What a Girl Wants, Meredith Brooks’s “Bitch,” and songs recorded by Britney Spears, Celine Dion, Natalie Cole, the Pretenders, Keith Urban, Cher, the Backstreet Boys, and many others. She lives in Los Angeles.

COASS-Final_CVR_152159

47 Years Ago Today…

On August 19th 1971, Led Zeppelin played in Pacific Coliseum, Vancouver, British Columbia, Canada. This was Led Zeppelin’s 7th US Tour and would be best remembered for what Peter Grant did during the concert. Marc Roberty has covered everything about that tour date and more in his book, Led Zeppelin: Day by Day. Take a peek inside the book and learn what Peter Grant did in the excerpt below!


LedZepDBD_text_final.jpgLED ZEPPELIN
SEVENTH US TOUR


19 AUGUST 1971–17 SEPTEMBER 1971

19 August 1971, Pacific Coliseum, Vancouver, British
Columbia, Canada (8:30 p.m.)

Setlist not known but would probably have consisted of the following: Immigrant Song / Heartbreaker / Since I’ve Been Loving You / Out On The Tiles Intro / Black Dog / Dazed And Confused / Stairway To Heaven / Celebration Day / That’s The Way / What Is And What Should Never Be / Moby Dick / Whole Lotta Love (including Boogie Chillun’, My Baby Left Me, Mess O’ Blues, You Shook Me) / Communication Breakdown / Organ Solo / Thank You

This show is best remembered as the one where Peter Grant smashed up a Canadian official’s noise measuring equipment thinking it was a bootlegger taping the show. The New Musical Express in England reported, “Led Zeppelin cause plenty of action in the
audience as well as on stage! Zeppelin is in the middle of an American tour. Last weekend in Vancouver the band played in a hockey arena which houses over 13,000 people but it wasn’t enough and nearly 3,000 didn’t get in. Inevitably the police clashed with the punters outside. During the show a group of government scientists were checking sound levels but their equipment was mistaken for bootlegging gear. Their equipment was summarily destroyed. The local police are looking for the band’s manager for questioning.”

00125658.jpg21 August 1971, the Forum, Inglewood, Los Angeles, California
(8:30 p.m.)

Setlist: Immigrant Song / Heartbreaker / Since I’ve Been Loving You / Out On The Tiles Intro / Black Dog / Dazed And Confused / Stairway To Heaven / That’s The Way / Going
To California / What Is And What Should Never Be / Whole Lotta Love (including Boogie Chillun’, I’m Moving On, That’s Alright Mama, Dr. Kitch, Mess O’ Blues, Got A Lot O’Livin’ To Do, Honey Bee, Sugar Mama Blues, Gee, Baby Ain’t I Good To You, Kind Hearted Woman Blues) / Weekend / Rock And Roll / Communication Breakdown / Organ Solo / Thank You

Once again, the band play amazingly for the Los Angeles crowd, which is rewarded with a lengthy version of “Whole Lotta Love” with many covers in the medley. The night ends with a beautiful “Thank You,” which sums up the band’s feeling toward the audience.

22 August 1971, the Forum, Inglewood, Los Angeles, California
(8:30 p.m.)

Setlist: Walk Don’t Run / Immigrant Song / Heartbreaker / Since I’ve Been Loving You / Out On The Tiles Intro / Black Dog / Dazed And Confused / Stairway To Heaven / Celebration
Day / That’s The Way / What Is And What Should Never Be / Moby Dick / Whole Lotta Love (including Boogie Chillun’, My Baby Left Me, Mess O’ Blues, You Shook Me) / Communication Breakdown / Organ Solo / Thank You

Just when you think the previous night’s performance could not be bettered, Led Zeppelin put in another killer performance, opening up with a surprise cover of the Venture’s “Walk Don’t Run” hit single before pulverizing the crowd with “Immigrant Song.” Plant is not taking any chances with his voice, though, as he went all out at the previous show and has to warn the audience that “tonight my voice is really fucked, so I don’t think we’re gonna do much harmonizing. But we’re gonna try—so, vibe on!” It was true that at some points his voice sounded a little worn, particularly on “Stairway To Heaven,” but to be honest this was in no way going to ruin what was otherwise an impeccable and dynamic concert.

The Rocky Horror Picture Show

The Rocky Horror Picture Show

Everything Left to Know About the Campy Cult Classic

by Dave Thompson

Website

When assessing the cultural impact of The Rocky Horror Picture Show, author Dave Thompson does not pull his punches: “Forty-plus years on from its debut in a tiny London theater; four decades, too, from its transition to the silver screen, Rocky Horror stands among the 1970s’ most lasting, and successful, contributions to modern culture.”

Thompson’s latest contribution to the Applause Books FAQ series, The Rocky Horror Picture Show FAQ (April 2016, Applause Books, $19.99) is the in-depth story of not only the legendary stage show and movie, but of a unique period in theatrical history, in both the movie’s UK homeland and overseas.

Inside these pages, we see Rocky Horror as sexual cabaret and political subversion, as modern mega-hit and Broadway disaster. At the movie house, we learn when to shout, what to throw, and why people even do those things. Here is the full story of the play’s original creation; its forebears and its influences are laid out in loving detail, together with both the triumphs and tragedies that attended it across the next 40 years.

Packed with anecdotes, The Rocky Horror Picture Show FAQ is the story of dozens of worldwide performances and the myriad stars who have been featured in them. From Tim Curry to Anthony Head, from Reg Livermore to Gary Glitter, from Daniel Abineri to Tom Hewitt, the lives and careers of the greatest ever Frank N. Furters stalk the pages, joined by the Riff-Raffs, Magentas, Columbias, and all the rest.

 The book also includes the largest and most in-depth Rocky Horror discography ever published, plus a unique timeline – The Ultimate Rocky Horror Chronology – detailing the who, what, where, and when of absolute pleasure.

 The Rocky Horror Picture Show FAQ will have you doing the Time Warp again!

 

$19.99
6.0″ x 9.0″
 400 pages
9781495007477
B&W illustrations and photographs throughout
Applause Theatre & Cinema Books, an imprint of Hal Leonard Corporation

 

ABOUT THE AUTHOR:

Dave Thompson is the author of more that 100 books on television, music, and pop culture, with previous titles in the Backbeat Books and Applause Books FAQ Series on Sherlock Holmes, Doctor Who, South Park, The Twilight Zone and soccer. His writing has appeared in Rolling Stone, Spin, Goldmine, MOJO, Melody Maker and other outlets. He lives in Newark, Del.

00139671

50th anniversary of one of the Beatles last tour show!

Today marks the day that the Beatles played their last show in Toronto Canada! It has been 50 years since, but that performance will never be forgotten. Chuck Gunderson, author of Some Fun Tonight! The Backstage Story of How the Beatles Rocked America: The Historic Tours 1964-1966, talks all about the Toronto performance in his book take a sneak peak of it in the excerpt below!


SFT-Vol2_paperback_textOne year to the day after the Beatles last played Toronto, Canada, they returned to the city for two shows at the famed Maple Leaf Gardens—the only venue that hosted them for all three North American tours. The concerts would essentially be a repeat of their 1964 and 1965 shows, except for a change in their set list and stage clothes. It would also be the last time the group would rock the Gardens.

Harold Ballard once again succeeded in his negotiations with Beatles manager Brian Epstein and General Artists Corporation (GAC) to secure the concerts. Epstein was loyal to the promoters who’d gambled on the large guarantees required to present his “boys” during the first tour in 1964.

The Gardens owner had had an enormous influence on the venue’s financial standing, tripling profits by hosting conventions and entertainment acts. He was also innovative. Ballard was one of the first stadium executives to bring advertising inside the arena and was always seeking ways to expand the seating capacity. In one bold—and controversial—move to fit in more seats, he instructed workers to remove a large portrait of Her Majesty, Queen Elizabeth II. When confronted about his decision, he defended himself, saying, “She doesn’t pay me; I pay her. Besides, what the hell position can a queen play?” When the Beatles played the Gardens the previous year, Ballard had smelled an opportunity for profit, cranked up the heat, and shut off the water fountains, forcing the crowd to buy oversized soft drinks.

He was a master at promotion and knew from prior years that the Beatles would sell tickets. But this time, when seats were still available in the days leading up to the two concerts (and even on the day of the shows), Ballard had to scramble, printing up posters and putting them around Toronto in an effort to fill the venue. “See John, Paul, George & Ringo,” the posters touted. “Beatle tickets on sale here!” Ballard found himself fighting an uphill battle, as several Canadian radio stations banned the playing of Beatles records after John’s statement about the group being “more popular than Jesus” became public.

A few weeks before the concert, GAC’s Bob Bonis sent a letter to Maple Leaf Gardens executive Henry Bolton containing a detailed list of instructions that were to be strictly followed. Although a similar letter was sent to the promoters and venue management in every tour city, some specific requests were made by Bonis for Toronto. “If you have press coverage for the Beatles at the airport,” he wrote, “please keep it as much a secret as possible.” He added that, upon landing, a suitable place needed to be secured in order to “to avoid the crowds.” Limousines, a bus, and two trucks had to be present to meet the plane—and the trucks needed to hold all the equipment and be “locked at all times.” Finally, it was mandated that there were to be “absolutely no interviews at all at the airport … that means no tapes, etc.”


Read more by purchasing the book here.

Pearl Jam FAQ

Pearl Jam FAQ

All That’s Left to Know About Seattle’s Most Enduring Band

by Thomas Edward Harkins and Bernard M. Corbett

Website

With record sales of nearly 32 million in the United States and an estimated 60 million worldwide and with no end in sight, Pearl Jam can stake its claim to being the most successful, enduring, and influential band to emerge from the Seattle (or pretty much anywhere else) in the 1990s.

 In Pearl Jam FAQ: All That’s Left to Know About Seattle’s Most Enduring Band (May 2016, Backbeat Books, $19.99), authors Thomas Edward Harkins and Bernard M. Corbett explore the entire arc of the band’s career, from their pre-Pearl Jam days to the present. Each of 30 chapters explores a different aspect of Pearl Jam’s fascinating history.

Pearl Jam FAQ looks the band members’ successes, failures, and tragedies prior to joining forces, as well as their early days as Mookie Blaylock and the unusual manner in which they came up with the name finally stuck. Then, Harkins and Corbett go inside the studio and analyze each of their albums in turn and hit the road with them as they set out to conquer Seattle, the West Coast of the United States, and then the entire world.

Beyond the music, Pearl Jam FAQ takes a long look at the way Pearl Jam adapted to an ever-changing media landscape where MTV, not radio, is the major power broker. The book also addresses their battles with Ticketmaster and explores about the roots of their socio-political activism.

With a view of the band from every angle and in every context – on CD, on vinyl, on the radio, on television, on film, in videos, onstage, backstage, on the road, in the air, and at home – through the eyes of Pearl Jam enthusiasts, Pearl Jam FAQ presents a must-have text for band devotees to devour.

$19.99
6.0″ x 9.0″
400 pages
9781617136122
BackBeat Books, an imprint of Hal Leonard Corporation

 

ABOUT THE AUTHOR:

THOMAS EDWARD HARKINS is a media ecologist and former adjunct professor who spent ten years teaching undergraduates at NYU’s Steinhardt Department of Media, Culture, and Communication, and a year at Adelphi University. The two-(nearly three!)-time New York University alumnus now works as a freelance writer and editor in his native Brooklyn. Rock ’n’ roll is his abiding passion.

BERNARD M. CORBETT is the radio voice of Harvard University football and Boston University hockey. The Massachusetts native and Boston University alumnus is the author of nearly 20 books, most of them dealing with sports and rock ’n’ roll. The music historian has worked with the late, legendary NYC DJ Pete Fornatale on books about Woodstock and the Rolling Stones. He lives in Boston.

00139507

Interview with David Bushman & Arthur Smith

Authors of the book Twin Peaks FAQ, David Bushman and Arthur Smith, spoke with Byron and Ben hosts of Twin Peaks Unwrapped. They spoke about the return of Twin Peaks, what you can learn in the book, and lots more! Click below to listen to their interview.

>>Listen<<

Twinpeaks_coverTwin Peaks, the infamously strange, seductive, and confounding murder mystery, first made network television safe for surrealism 25 years ago, is set to return to the small screen in early 2017. Created by David Lynch and Mark Frost, the series continues to enjoy a hallowed standing in popular culture and remains a touchstone in the evolution of TV as an artistic medium.

For its many intensely devoted fans, Twin Peaks continues to beguile and disturb and delight; it’s a bottomless well of allusions, symbols, conundrums to ponder and images to unpack, an endlessly engrossing puzzle box, an obsessive’s dream.

                  Twin Peaks FAQ: All That’s Left to Know About a Place Both Wonderful and Strange by David Bushman and Arthur Smith will guide longtime fans and the newly initiated through the origins of the series, take them behind the scenes during its production, and transport readers deep into the rich mythology that made Twin Peaks a cultural phenomenon.

                  Bushman and Smith provide detailed episode guides, character breakdowns, and explorations of the show’s distinctive music, fashion, and locations. With a sometimes snarky, always thoughtful – but never dry or academic – analysis of Twin Peaks‘ myriad oddities, mysteries, references, and delicious insanity, Twin Peaks FAQ is a comprehensive, immersive, and irresistible reference for experts and newbies alike.

Tom Harkins on WCWP Radio

Tom Harkins, one of the authors of Pearl Jam FAQ, was recently interviewed by Bob Guthenberg host of The Rock Show! The Rock Show is a radio show on WCWP Radio that airs weekdays at 7pm that takes you on an eclectic journey through classic rock, pop, folk, psychedelic, and more! Listen to the interview below to hear what Tom had to say about Pearl Jam and Pearl Jam FAQ.

>>Listen<<

00139507With record sales of nearly 32 million in the United States and an estimated 60 million worldwide and with no end in sight, Pearl Jam can stake its claim to being the most successful, enduring, and influential band to emerge from the Seattle (or pretty much anywhere else) in the 1990s.

In Pearl Jam FAQ: All That’s Left to Know About Seattle’s Most Enduring Band (May 2016, Backbeat Books, $19.99), authors Thomas Edward Harkins and Bernard M. Corbett explore the entire arc of the band’s career, from their pre-Pearl Jam days to the present. Each of 30 chapters explores a different aspect of Pearl Jam’s fascinating history.

Pearl Jam FAQ looks the band members’ successes, failures, and tragedies prior to joining forces, as well as their early days as Mookie Blaylock and the unusual manner in which they came up with the name finally stuck. Then, Harkins and Corbett go inside the studio and analyze each of their albums in turn and hit the road with them as they set out to conquer Seattle, the West Coast of the United States, and then the entire world.

Beyond the music, Pearl Jam FAQ takes a long look at the way Pearl Jam adapted to an ever-changing media landscape where MTV, not radio, is the major power broker. The book also addresses their battles with Ticketmaster and explores about the roots of their socio-political activism.

With a view of the band from every angle and in every context – on CD, on vinyl, on the radio, on television, on film, in videos, onstage, backstage, on the road, in the air, and at home – through the eyes of Pearl Jam enthusiasts, Pearl Jam FAQ presents a must-have text for band devotees to devour.

Making A Cappella Cool Again

Meet Deke Sharon, the man behind the current a cappella revolution, vocal arranger for  Broadway’s first a cappella musical, In Transit, coming this fall, and author of the new book, The Heart of Vocal Harmony. Deke spoke with Jacki Lyden, host of weekends on All Things Considered, about how he got involved with a cappella, how it’s changed, and his time with the actresses of the hit movie, Pitch Perfect! Listen to the interview below!

>>Listen<<

00156135Most choirs spend their rehearsal time focusing on notes, rhythms, and precision. They rarely, if ever, discuss a song’s meaning and feeling, even though those elements are precisely what draws people to the music in the first place. Thousands of books have been written about choral technique, teaching people how to sing technically well. What sets The Heart of Vocal Harmony apart is its focus on honest unified expression and the process of delivering an emotionally compelling performance. It delves into an underdeveloped vocal topic – the heart of the music and the process involved with expressing it.

The Heart of Vocal Harmony is not just for a cappella groups – it is also for vocal harmony groups, ensembles, and choirs at all levels, with or without instruments. In addition to the process, the book features discussions with some of the biggest luminaries in vocal harmony: composers, arrangers, directors, singers, and groups – including Eric Whitacre, Pentatonix, the Manhattan Transfer, and more!

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