Author Archives: HLPAPG

Ten Minute Interview with David Misch

Author of Funny: The Book, David Misch, was interviewed on Ten Minute Interviews, a unique platform for authors, musicians and other creative individuals to speak about themselves, their lives and their work. David has lent his voice to sitcoms including Mork & Mindy, Police Squad! and Duckman, he has also released a new book titled A Beginners Guide to Corruption. Learn more about David in the interview below!

00314925What was your childhood like, and how did it shape who you are today?

I was born in a humble log cabin in 1946, then again in a split-level thatched roof cottage in 1950. Growing a remarkable twelve inches a day (though, unfortunately, entirely in my shins), I was recruited by both the Chicago Bulls and AAA Ceiling Repair before my fourth birthday, but opted instead for a career as a professional snitch.

After ratting out literally dozen of ne’er-do-wells to the FIB, I realized I should have been dealing with the FBI, not Fellas In Basements, a special-interest group devoted to the study of La-Z-Boy armchairs. I then retired to an underwater colony of scuba gear scavengers who, unable to find scuba gear, drowned. I will be missed.

Growing up, who were your biggest comedic and creative influences?

But seriously…

When, as a kid, I discovered James Thurber, I then quickly went through the renowned wits of my day (and earlier days) – S.J. Perelman, Robert Benchley, P.G. Wodehouse – while on TV I saw great comics like Jackie Gleason and Dick Van Dyke, and film comedies from the ’20s through the ’50s.

But my seminal experience came from the Marx Brothers on the big screen. In my 20s, I lived in Cambridge, Mass. It was the ’70s and someone had the idea of playing old movies in theaters (what we now call “art houses”). The Marxes were pretty much forgotten, but one night a theater had a double-bill of Duck Soup and A Night At The Opera and the sold-out audience laughed so loudly you could barely hear the dialogue. I was hooked, with the lifelong goal to make audiences emit that loud barking noise at regular intervals.

How did the opportunity to work on Mork & Mindy come about?

I moved from Boston to New York City, where I became a stand-up and was spotted by Woody Allen’s manager, who signed me as a writer (which says volumes about my skill as a stand-up). Soon I was on a plane to L.A. to write for what I thought would be a lame sitcom about a Martian. But my manager also handled Robin Williams who, he said, “is actually pretty good.”

Despite airing only six episodes, Police Squad! is one of the most revered TV series of all time. What was it like to work on that show, and did you realize at the time that you were creating something special?

In every interview with someone who worked on something great, they say “I had no idea.” I can now confirm that’s true. With the caveat that we all knew it was damn funny.

Jerry Zucker, Jim Abrahams and David Zucker (“ZAZ”) had just made the hit movie Airplane!, which I loved. When their next movie idea – a parody of cop shows – didn’t sell, they decided to do it as a TV series.

Although I’d had a great time on Mork, most of the writers were older; ZAZ and the rest of the Police Squad! staff were my age and more my sensibility, so it was tremendous fun.

One thing I learned was sticking up for what you believe. The former dramatic leading man Leslie Nielsen was a supporting player in Airplane!, one of the first times he’d done comedy. The guys wanted him for Police Squad! but the network called to say no, he was too old.

The guys said “Okay, we understand,” hung up the phone, left the office, got in their cars, and drove off the studio lot. “We’re millionaires,” they said. “We don’t care.” A few hours later, Leslie Nielsen was our lead.

Another favorite memory from that show was landing at LAX in jacket and business shoes, getting picked up by a limo and driven to the beach in Santa Monica, where I was told I’d be judging a bikini contest with ZAZ. I remember walking across the hot sand, shedding my ludicrous outfit, thinking, “This is gonna be fun.” It was.

What was your role on The Muppets Take Manhattan?

The movie had been written and was going into production in a few weeks when they decided they needed someone to write for the constantly-changing list of celebrities who were going to do cameos in the movie. As I started doing that, director Frank Oz started making other changes too and before I knew it, I was rewriting the movie.

I was on set during shooting; one day in Central Park, I watched as Frank as Miss Piggy and Jim Henson as Kermit acted and improvised (with lots of obscenities) while a crowd gathered and stared not at the two six-foot-plus men, but at the two pieces of felt at the end of their arms.

Click here to read to the entire interview.

Bob Carlin on The Fretboard Journal

Bob Carlin, author of Banjo: An Illustrated History, spoke with Jason Verlinde of The Fretboard Jorunal! The Fretboard Journal magazine hosts a weekly podcast that features interviews with legendary guitarists, luthiers, and much more. On the podcast they spoke about Bob’s book, the history of the banjo, and how writing this book came to be. Listen to the podcast below to learn more!


00142046The banjo is emblematic of American country music, and it is at the core of other important musical movements, including jazz and ragtime. The instrument has been adopted by many cultures and has been ingrained into many musical traditions, from Mento music in the Caribbean and dance music in Ireland. Virtuosos such as Béla Fleck have played Bach, African music, and Christmas tunes on the five-string banjo, and the instrument has had a resurgence in pop music with such acts a Mumford and Sons and the Avett Brothers.

In Banjo: An Illustrated History (June 2016, Backbeat Books, $35), author, broadcaster, and acclaimed banjoist Bob Carlin offers the first comprehensive, illustrated history of the banjo in its many forms. He traces the story of the instrument from its roots in West Africa to its birth in the Americas, through its coming of age in the Industrial Revolution and beyond.

Banjo: An Illustrated History profiles the most important players and spotlights key luthiers and manufacturers and features 100 “milestone instruments” with in-depth coverage, including model details and beautiful photos. It offers historical context surrounding the banjo through the ages, from its place in Victorian parlors and speakeasies through its role in the folk boom of the 1950s and 1960s to its place in the hands of songwriter John Hartford and comedian Steve Martin.

Folk, jazz, bluegrass, country, and rock – the banjo has played an important part in all of these genres. Lavishly illustrated, and thoughtfully written Banjo: An Illustrated History is a must-have for lovers of fretted instruments, aficionados of roots music, and music history buffs.


Sylvia Massy on!

Sylvia Massy, author of Recording Unhinged: Creative and Unconventional Music Recording Techniques, is featured in a new video that is now available on Click play on the video below to watch a preview and check out the full video in the link below!

>>Click here for full video<<

Recording Unhinged: Creative and Unconventional Music Recording Techniques dares you to “unlearn” safe record-making, to get out from behind the windshield, stick your head out the sunroof, and put the pedal to the metal! 

“There have been countless how-to books on sound recording, but this isn’t one of them. Sylvia Massy has a unique perspective on what makes musicians tick and how great recordings are created. This book is a brilliantly assembled insight into their world and is a cracking good read,” says Alan Parsons.

Recording Unhinged, Sylvia Massy and her cohort of celebrity music industry producers, engineers, and recording stars discard fixed notions about how music should be recorded. They explore techniques that fall outside the norm, yielding emotionally powerful, incredibly personal, gut-wrenching, and even scary recordings. With commentary by Hans Zimmer, Al Schmitt, Bruce Swedien, Jack Joseph Puig, Dave Pensado, Tchad Blake, Bob Clearmountain, Linda Perry, Michael Franti, Michael Beinhorn, Bob Ezrin, Geoff Emerick, and many others, this book includes the stories, tips, and advice that you won’t find in any other instructional manual. 

“Working with Sylvia on Undertow was an absolute pleasure. Whether recording the destruction of a piano with sledgehammers and shotguns, or dialing in killer drum sounds with the greatest mic choices, her approach was always fresh, fun, and never preconceived. This book will assuredly inspire some wacky recording sessions!”, praises Danny Carey (drummer from TOOL).

Recording Unhinged is also unique in its inclusion of exercises, diagrams, jokes, photos, and other images all related to more adventurous recording techniques. Throughout the book (and on the cover) are many full-colored illustrations – created by a musical genius – Massy herself! 

John Breglio on The Daily

John Breglio, author of I Wanna Be a Producer, was on The Daily, a radio show featured on Talk Radio Europe. He spoke with Allan Tee about his book and his background in being an entertainment lawyer. Listen to the full interview by clicking on the link below!


IWannaBeCOVERWhat does a producer actually do? How does one travel from that great idea for a show to a smash hit opening night on Broadway? In I Wanna Be a Producer: How to Make a Killing on Broadway…or Get Killed (April 2016, Applause Books, $29.99), John Breglio – a Broadway veteran with more than 40 years experience – shares an exceptional road map for the hows and wherefores, the dos and don’ts of producing a Broadway play. In this highly informative book, Breglio offers practical concepts for the aspiring producer and entertains with great personal anecdotes from his illustrious career as a leading theatrical lawyer and producer.

Breglio recounts not only his first-hand knowledge of the crucial legal and business issues faced by a producer, but also his experiences behind-the-scenes with literally hundreds of producers, playwrights, composers, and directors, including such theatre luminaries as Michael Bennett, Joe Papp, Stephen Sondheim, Andrew Lloyd Webber, Patti Lupone, August Wilson, and Mel Brooks.

Says Breglio, “Ultimately, my goal is to give the business of producing the respect it deserves. It is a profession that requires numerous skills, both business and creative. It demands relentless fortitude and optimism, and it should never be assumed casually without recognizing the enormity of the task.”

Working or aspiring producers, investors, directors, actors, designers, teachers — as well as those who are simply curious about the backstage reality of the theater — will relish John Breglio’s sage advice and irresistible storytelling. They’ll also treasure the included DVD of Every Little Step, a documentary of the auditions for the 2006 Broadway revival of A Chorus Line.

I Wanna Be a Producer is indispensable reading for theater professionals and fans of all levels – from high school drama clubs to college theater programs, from community theater groups and summer stock to The Great White Way.

The life of Arthur Laurents

Arthur Laurents, a writer, director, and also an author of Original Story By, Mainly On Directing, and The Rest Of The Story, was featured in The Wow Report on He is best known for directing  three revivals of Gypsy, but in his trio of memoirs we learn much more about the Tony Award winning director. Read about Arthur Laurents and his works in the article below!

00129232July 14, 1917Arthur Laurents, as the story goes: late for his place on a panel discussion, Laurents burst onto the stage draped in mink and announced: “Behold, a living legend!” Stephen Sondheim, also on the panel, looked up and said: “Wrong on both counts”.

I just ate up his trio of memoirs Original Story By (2000), Mainly On Directing (2009), and The Rest Of The Story (2012), each chock full of yummy, dishy theatre and Hollywood stories. Laurents is important to me in many ways. I admire the way he boldly lived his life. I love his work, most especially because he wrote the book for my favorite musical Gypsy (1959), which I find to be a perfect piece of theatre. Musical Theatre fanatics will go on forever discussing the subject of who was the greatest Mama Rose in this landmark musical. This casting quandary can be a playful parlor game or a bitter argument for Musical Theatre types. Jerome Robbins directed the original production, but Laurents directed three revivals of Gypsy including my favorite version starring my good close personal friend Angela Lansbury in 1974, but there was also Tyne Daly in 1989 and Patti Lupone’s 2007 Tony Award winning turn.

In 2010, at 92 years old, Laurents directed a revival of West Side Story, a theatre classic for which he wrote the original lean, strong book. In this production, it was Laurents’s conceit to have the Sharks and their girls, who are from Puerto Rico, speak and sing in Spanish. The cast would all be young and if not Puerto Rican, at least Hispanic. Laurents explained that the idea came from his partner of 52 years, Tom Hatcher (Laurents and actor Farley Granger had been lovers in the late 1940s), who admired a production of the musical in South America. It was also Hatcher who urged Laurents to revive Gypsy with Patti LuPone, so that the controversial Sam Mendes directed 2003 production starring Bernadette Peters would not be the last Gypsy in Laurents’s lifetime.

Laurents won four Tony Awards and was nominated for six Academy Awards, winning for his screenplay for The Turning Point (1977).

His life encompassed great swaths of 20th century cultural history and the famous figures 00314474within it. His theatre career had barely started when Laurents was drafted into the Army in 1941. He spent the war years writing training films and radio propaganda shows under the command of Private George Cukor. He had also come to terms with his gayness and soon lost count of the sexual experiences he experienced while in the Army. In Original Story By he writes openly of his lifetime of gay encounters, referring to his partners as “those unremembered hundreds.”

As a gay man living as openly as possible during some of this country’s most dangerous times, Laurents was a role model of discretion, but he was living the way he wanted, despite public opinion and cruelty against gay people everywhere.

Read the article in its entirety here.

Tom Harkins on Talk Radio Europe

Tom Harkins, one of the authors of Pearl Jam FAQ, was on Talk Radio Europe to speak about the book. He talks about Pearl Jam’s success and how the book came together with co-author, Bernard Corbett. Listen to the entire interview by clicking on the link below!


00139507With record sales of nearly 32 million in the United States and an estimated 60 million worldwide and with no end in sight, Pearl Jam can stake its claim to being the most successful, enduring, and influential band to emerge from the Seattle (or pretty much anywhere else) in the 1990s.


In Pearl Jam FAQ: All That’s Left to Know About Seattle’s Most Enduring Band (May 2016, Backbeat Books, $19.99), authors Thomas Edward Harkins and Bernard M. Corbett explore the entire arc of the band’s career, from their pre-Pearl Jam days to the present. Each of 30 chapters explores a different aspect of Pearl Jam’s fascinating history.


Pearl Jam FAQ looks the band members’ successes, failures, and tragedies prior to joining forces, as well as their early days as Mookie Blaylock and the unusual manner in which they came up with the name finally stuck. Then, Harkins and Corbett go inside the studio and analyze each of their albums in turn and hit the road with them as they set out to conquer Seattle, the West Coast of the United States, and then the entire world.

Beyond the music, Pearl Jam FAQ takes a long look at the way Pearl Jam adapted to an ever-changing media landscape where MTV, not radio, is the major power broker. The book also addresses their battles with Ticketmaster and explores about the roots of their socio-political activism.


With a view of the band from every angle and in every context – on CD, on vinyl, on the radio, on television, on film, in videos, onstage, backstage, on the road, in the air, and at home – through the eyes of Pearl Jam enthusiasts, Pearl Jam FAQ presents a must-have text for band devotees to devour.

Simon Bradley speaks with Queen Online

Co-author of the book Brian May’s Red Special: The Story of the Home-made Guitar that Rocked Queen and the World, Simon Bradley, recently spoke with Queen Online to talk about the book and how it all came together. Read what they had to say in the excerpt below, and read the entire interview over at QueenOnline!

00119108OK, here comes the introduction – who are you and what do you do?

I’m Simon Bradley, 28 years old, Aries, wrestler of alligators, decimator of beers, breaker of hearts. I worked for Guitarist magazine for 17 years until the meaty fist of redundancy knocked me out of there in 2014 and I now earn a crust as a freelance guitar and music journalist. Actually, call it 28-ish.

How did you get to that position? Failed musician?! Ha, just teasing…

Believe it or not I saw a position on Guitarist being advertised, applied and got it. That was in 1996 and it’d never happen that way now: these days you need to be good. I worked in guitar retail in Birmingham for a time before that, during which I underwent my ‘I gotta make it in rock and roll!’ phase. I didn’t, needless to say (yep…failed!), but got a guitar tech gig with Brummie prog dudes Magnum out of it, which was reward in itself. And if you thought Mötley Crüe, or, indeed Queen at their decadent height, were hardcore on the road… let’s just leave it there.

Why are we chatting today, what is your Queen connection?

I am the co-author of the Red Special book with Brian. I’ve also interviewed him many times since 1998 and, if anyone remembers the 1999 National Music Show at Wembley Conference Centre where Brian chatted and played for over 2,000 gobsmacked fans, I was the sweating bag of nerves sat to his right on the stage who’d booked him for the event. I also tried out for one of the two guitar slots in the original We Will Rock You theatre band in 2001. I auditioned in front of both Brian and Roger, and got down to the last three… gah!

Pressing further on the Red Special book with Brian, how did that all originally come together?

It struck me one day that there wasn’t any sort of book about the Red Special and just decided to do something about it. I knew something about its construction and had fantasized about playing it for years, like most Queen fans I guess. I’ve been mates with Brian’s guitar tech Pete Malandrone for ages, so I rang him to gauge his interest and we both took it from there. My experience with publishing allowed me to formulate a workable concept fairly quickly and, after successfully pitching it to both Carlton Books and, then to Brian, we started it knocking it into shape.

The whole thing took over three years to put together and get onto the shelves, and I have to admit that I loved every single minute of the process. Brian has said subsequently that he’d long wanted to get a book together about the Red Special, and I’m flattered that he not only considered me suitably qualified to undertake such a task, but also liked the final result. In fact, in an email to me he described it as “…a lovely book…”, which did make me go a bit quiet and chin-wobbly.

Did you meet up regularly to discuss progress?

Not frequently, but regularly, yes. Brian, quite rightly, wanted everything to go through him so he needed to sign off on everything as we went. He was so busy, though, that it sometimes took him a while to get around to evaluating my enthusiastically-submitted copy and giving it the attention he felt it required, but he did give us unrestricted access to his huge photo archive, which was vital to the book’s exclusivity.

I’d run ideas past the likes of Pete, Greg Brooks and Richard Gray, and I was always able to drop Brian an email when I needed specific insight from him. He’d get back to me as quickly as he could and would provide the information I needed along with words of encouragement and appreciation.

We had one long brainstorming session in his office one afternoon where, after reading a chapter, he turned to me and said: “It’s not really working, is it?”. My head dropped as I was forced to agree with him, but we spent the next few hours bouncing ideas off each other and forcing the manuscript into the place we both wanted it to be. I was dimly aware that we were speaking to each other as equals of a sort and that I was working closely with the man who played that solo on Bohemian Rhapsody, who’d blown my tiny mind when I first saw Queen in 1979 and who’s still part of England’s greatest ever rock band. I’m very glad to say that he was never anything other than accommodating and positive during the whole process, even when things were getting a little fraught as deadlines loomed.

DJ Shortee updated and expanded Complete DJ Method

DJ Shortee continues to update and expand Shortee’s Complete DJ Method, an online video series in which she thoroughly introduces each piece of gear and DJ technique, explaining every feature, function, and skill. The most recent addition is an information-packed course in the Traktor Controller Series that covers the integration and workflow of the Native Instruments Traktor Kontrol S4 DJ controller. Learn more about it in the video and information below!

The Complete DJ Gear Guide To A Traktor Controller: Kontrol S4

Now available on – for beginners, intermediate DJs, and seasoned veterans

screenshot.pngAs she does in her other video courses, DJ Shortee walks the viewer through each feature step by step, explaining how to use each function in detail. The lessons are taught in a clear and concise way that is easy for anyone to understand. The Kontrol S4 DJ Controller course works seamlessly in conjunction with her Traktor Software course, “The Complete Guide To Traktor Pro 2,” and is an essential part of building a solid foundation for DJs to take their skills to the next level.
DJ Shortee provides a complete breakdown of the Traktor Kontrol S4 DJ controller and all of its features, including Hotcues, Looping functions, Deck controls, Remix Decks, and Stem Decks.

Also included is an overview of Traktor’s software options and compatible DJ controllers, as well as the Traktor Pro 2 download, activation, and hardware registration. Shortee gives an overview of the Traktor Pro 2 software layout, an in-depth explanation of how to use the Kontrol S4 Deck controls such as the Jog Wheel and Deck Assign buttons (and how to customize them), and explains how to assign and control the Single FX and Multi FX modes.

This courses teaches how to master the Kontrol S4’s DJ mixer and all its essential functions and allows viewers to learn to customize the various EQs, Channel Filters, Tempo Fader, and Crossfader settings, as well as how to use the Kontrol S4 to control the Loop Recorder and then capture a loop on the fly in a Remix Deck.

An exclusive bonus lesson is included that shows the viewer how to switch between the two Kontrol S4 modes and convert the entire Kontrol S4 into an alternate MIDI device using the controller manager software. The Complete DJ Gear Guide To A Traktor Controller: Kontrol S4 is designed to help DJs of all skill levels master the techniques quickly and easily and improve their production skills.
Now available at
Total running time: 149 mins & 19 secs  (2:29:19)

$15.00 for purchase or available with Groove3’s All Access Pass for $15/month
About DJ Shortee
With over twenty years of professional experience as a multi-genre DJ, turntablist, music producer, author, and DJ instructor, DJ Shortee brings a wealth of knowledge and understanding to the classroom. She has taught for the Grammy Foundation, Dubspot, Scratch DJ Academy, Serato, Rane, Turntable U, SAE Institute, and more. Her name has become synonymous with the world of DJ instructional products, and she is respected worldwide for her talent as both an accomplished performer and a gifted teacher. More about DJ Shortee at
About Hal Leonard & Groove3
Hal Leonard Books, a division of Hal Leonard Corporation, the leading publisher of books and digital content on the music business, audio technology, and instrument history, and Groove3, the audio community’s online resource for top-notch training videos, have announced a long-term strategic partnership to develop and deliver authoritative content to the world. Over the coming months and years, Hal Leonard will bring an unprecedented assortment of globally influential recording, audio, and music experts from a variety of fields to the Groove3 platform.

Creating An Effective Elevator Pitch

Bobby Borg, author of Business Basics For Musicians, Music Marketing For The DIY Musician, and co-author of the new Five Star Music Makeover, has written about giving an effective elevator pitch. He offers us some important tips to keep in mind when creating your elevator pitch, take a look below to read what they are!

00145992An elevator pitch is a useful promotion tool when meeting new industry contacts face-to-face at networking events and conventions. It’s called an elevator pitch because it is intended to grab a person’s immediate attention and hold his or her interest within the time of a short elevator ride.

An elevator pitch must be well written and well rehearsed. While you may have to create a variety of different pitches based on who (booking agents, bloggers, sponsors, etc.) you are pitching, let’s take a look at the essential elements you should include when preparing your pitch.

Provide Your Name With a Memorable Twist: Be prepared to state your personal name and title along with an interesting and memorable twist. For instance, I might say, “Hey there, my name is Bobby Borg. Borg—as in one of the Cyborg characters on Star Trek.” While this is a little silly, it’s memorable and can help break the ice and get a smile.

Flatter the Intended Recipient: Consider complimenting the person that you are approaching. If at a convention, you might congratulate a person on his or her Keynote presentation. Just don’t be over-flattering; you don’t want to sound like an over excited fan.

State Your Title and How You Are Unique: State what you do and how you are unique. Are you a Native American rapper who draws awareness to indigenous rights (like Frank Walin), or a solo jazz guitarist who triggers robots to play multiple instruments on stage (like Pat Metheny)? Whatever makes you unique, just be sure to state it concisely.

Hype Your Career: Include one or two of your most impressive accomplishments in your elevator pitch to build credibility. You might state that you are the recent recipient of The John Lennon Songwriting Competition or a runner-up on the latest season of The Voice.

Read the entire post written by Bobby Borg over at Music Connection.

Coming in 2019: 25 Years of Grace


Jeff Buckley made only one album, but the one he made has proved to be seminal.

In 2019, Backbeat Books will publish 25 Years of Grace: An Anniversary Tribute to Jeff Buckley’s Classic Album, a lavishly illustrated volume by photographer Merri Cyr with Buckley biographer Jeff Apter, recalling the making of Grace and looking at the influence it has had on artists and their music in the ensuing quarter-century.

Cyr, widely recognized as Buckley’s official photographer and author of A Wished-For Song: A Portrait of Jeff Buckley, published by Backbeat Books, documented his career from his days at the East Village coffee shop Sin-é to his iconic Grace cover shoot to his rigorous world tour promoting his unprecedented debut. Apter is the author of A Pure Drop: The Life of Jeff Buckley, also from Backbeat Books.

“I photographed Jeff over the course of almost four years,” Cyr said. “Some people have asked me why it is that I photographed him so much. Mostly, it was fascinating to watch him grow musically at lightning speed, even from one day to the next. I had the opportunity to witness and document his evolution—as a person and an artist.”

25 Years of Grace will feature new interviews with Buckley insiders – including producer Andy Wallace, band mates Matt Johnson and Mick Grøndahl, string arranger Karl Berger, A&R man Steve Berkowitz, and veteran music publicist Howard Wuelfing – who reveal details of Buckley’s signing to a major label, the role of the band in creating arrangements, finding the right creative direction for the multifaceted songsmith, the songwriting process and final song selections, key meetings and collaborations, recording techniques, memorable moments in the studio, and more.

The book also will include reflections about Buckley and Grace from an array of artists, including Lenny Kaye, Butch Walker, Pete Yorn, and Holly Miranda.

“I’ve been fortunate to have been involved in various Jeff Buckley-related projects over the years,” said Apter. “But this has been the first time where not only have all the key players been willing and able to contribute, but in a manner that was, without an exception, frank, open and forthcoming. Their revelations are deeply felt, sometimes highly emotional and always very revealing. Collectively they’ve painted a portrait of Jeff and the Grace era that I think will become the definitive statement on the man and the time.”

 Featuring many never-before-seen photographs, the recollections of those who worked alongside Buckley, and tributes by some of the many influenced by him, 25 Years of Grace will take a fresh look at the making and legacy of this incomparable album.

25 Years of Grace is a celebration of Jeff Buckley’s contribution to music,” explained Backbeat Books Associate Editor Bernadette Malavarca, who acquired the title. “The book brings into sharp focus the timelessness of Grace and gives it its due as a true classic. The interviews peel back the curtain on the events that led to the album and the creative process involved, its reception in the context of its time, and its lasting power. The artist reflections show the widespread influence of Buckley and Grace on countless musicians.

“We are fairly deep into the text development, photo editing, and design plans,” Malavarca added. “It’s been an inspiring experience thus far, and with the book, we hope to invoke that same inspiration in readers and Buckley fans who revere his music as we do.”

Additional components of the project will be announced in the coming months. 25 Years of Grace will be published in Fall 2019.


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