Author Archives: HLPAPG
Applause Books wants to congratulate Stephen Jones for winning an Award for his book The Art of Horror An Illustrated History! Stephen Jones was one of many authors present at the Horror Writers Association’s Bram Stoker Awards ceremony in Las Vegas, which took place this past weekend. He won the prize for Superior Achievement in Non-Fiction! To watch the event, and Stephen Jones’ acceptance speech click on the link below!
A list of all winners and nominees can be found here
Amazingly, there has never been a book quite like The Art of Horror An Illustrated History: a celebration of fearful images, compiled and presented by some of the genre’s most respected names. While acknowledging the beginnings of horror-related art in legends and folk tales, the focus of the book is on how the genre has presented itself to the world since the creations of Bram Stoker and Mary Shelley.
The stunning illustrations featured in The Art of Horror will captivate you right from the start. With chapters like, The Blood Is The Life, Man-Made Monsters, and Giant Behemoths, Editor Stephen Jones showcases an unprecedented collection of some 400 of the finest examples of horror-related art. Each chapter begins with an overview of the featured area of the genre, and also contains two special features on specific topics (e.g. Bram Stoker’s Dracula, or the paintings of Clive Barker). These 10 chapters also showcases quotes from artists/illustrators, and a selection from writers and filmmakers, are featured throughout.
Jones and his stellar team of contributors have sourced visuals from archives and private collections (including their own!) worldwide, ensuring an unprecedented selection that is accessible to those discovering the genre. They also include many images that will be rare and unfamiliar to even the most committed fan. From early engravings, via dust jackets, book illustrations, pulp magazines, movie posters, comic books and paintings, to today’s artists working entirely in the digital realm. It’s all here, from the shockingly lurid to the hauntingly beautiful.
Pearl Jam is currently on the road and will soon be making their way to Boston and Chicago in August! This is the perfect time to refresh your memory on all things Pearl Jam related with the book Pearl Jam FAQ All That’s Left to Know About Seattle’s Most Enduring Band. Written by Thomas Edward Harkins, and Bernard M. Corbett, this is the book for all Pearl Jam fans, both young and old!
With record sales of nearly 32 million in the United States and an estimated 60 million worldwide and with no end in sight, Pearl Jam can stake its claim to being the most successful, enduring, and influential band to emerge from the Seattle (or pretty much anywhere else) in the 1990s.
In Pearl Jam FAQ: All That’s Left to Know About Seattle’s Most Enduring Band (May 2016, Backbeat Books, $19.99), authors Thomas Edward Harkins and Bernard M. Corbett explore the entire arc of the band’s career, from their pre-Pearl Jam days to the present. Each of 30 chapters explores a different aspect of Pearl Jam’s fascinating history.
Pearl Jam FAQ looks the band members’ successes, failures, and tragedies prior to joining forces, as well as their early days as Mookie Blaylock and the unusual manner in which they came up with the name finally stuck. Then, Harkins and Corbett go inside the studio and analyze each of their albums in turn and hit the road with them as they set out to conquer Seattle, the West Coast of the United States, and then the entire world.
Beyond the music, Pearl Jam FAQ takes a long look at the way Pearl Jam adapted to an ever-changing media landscape where MTV, not radio, is the major power broker. The book also addresses their battles with Ticketmaster and explores about the roots of their socio-political activism.
With a view of the band from every angle and in every context – on CD, on vinyl, on the radio, on television, on film, in videos, onstage, backstage, on the road, in the air, and at home – through the eyes of Pearl Jam enthusiasts, Pearl Jam FAQ presents a must-have text for band devotees to devour.
Courtesy of Music Connection, five lucky people will be given the chance to win the book, Five Star Music Makeover The Independent Artist’s Guide for Singers, Songwriters, Bands, Producers, and Self-Publishers! Music Connection is an online publication that has grown from a popular print publication into a spectrum of products and services that address the wants and needs of musicians, the music tech community and industry support services.
To enter and learn more about the giveaway, click on the link below!
In order to achieve success in today’s music industry, artists must first do a great deal of work on their own. Learning the required skills can take years of real-life experience, and hiring personal coaches, studio professionals, and consultants can be costly. But now, for the first time, there’s an invaluable resource to help you meet these challenges.
Five Star Music Makeover is an engaging all-in-one guide designed specifically for aspiring artists. Written by five experts with over 100 years of collective experience, both on and off the stage, this unique book covers five key skills every musician needs to succeed: (1) improving vocal production/technique; (2) writing memorable and marketable songs; (3) recording your ultimate EP; (4) navigating the publishing world; and (5) promoting music effectively.
Also included are insiders’ stories and anecdotes, helpful tips, creative exercises, celebrity interviews, and all the practical expertise necessary to develop a successful music career. Five Star Music Makeover is a complete and practical career guide – a resource that transforms artists from good to great.
Celebrate the Beatles’ 50th anniversary of their final tour with the boxed set of Some Fun Tonight!, which lets you experience the Beatles’ North American tours through the eyes of those who were there! The boxed set will be on sale this coming June, so make sure to mark your calendars! Learn more about it below.
Never has there been a book on the Beatles quite like Some Fun Tonight! The Backstage Story of How the Beatles Rock America: The Historic Tours of 1964-1966. Covering the group’s three North American tours (1964-1966) in astonishing detail, author Chuck Gunderson’s comprehensive two-volume boxed set gives readers a city-by-city synopsis of the Beatles’ activities as they traveled the United States and Canada for their groundbreaking series of concerts. So authoritative is Gunderson’s work that Ron Howard is using it as source material for his upcoming Beatles documentary, whose working title is The Beatles: Eight Days a Week, due out in theaters and on Hulu in the fall.
Produced in a slick, glossy, full-color format, and housed in an attractive slipcase, these truly essential books for any Beatles library retail for $160. This fall, Backbeat Books will provide Beatles fans will a less expensive, but no less impressive, alternative: a two-volume soft-cover edition with each volume retailing for $40.
From San Francisco’s Cow Palace show on August 19, 1964, through their last-ever live performance at that same city’s Candlestick Park on August 29, 1966, Some Fun Tonight! covers the music and the madness that characterized the Beatles’ North American tours. Supported by hundreds of photographs and images of rare memorabilia, it is the definitive reference for what is arguably the most important period in the Beatles’ long and winding career.
Never before have the Beatles’ North American concerts been covered in such depth. Some Fun Tonight! includes the behind-the-scenes negotiations, the mayhem at the airports and hotels, the cheeky quotes delivered at the press conferences, the opening acts, the concerts, and the stories behind the shows through the eyes of the Beatles, their entourage, the promoters, the emcees and the fans.
If you witnessed the mania firsthand, you’ll relive the excitement in the pages of these books. If you were born too late to be a part of those halcyon days, you’ll learn what it was like to be swept up and carried away by the phenomena of the greatest musical act of all time.
Jeffrey Pepper Rodgers, author of The Complete Singer-Songwriter, had a Q&A with the online blog, Songwriting Scene. Songwriting Scene is a blog for songwriters about songwriting, and that is one of the many things they spoke about in this Q&A. Read an excerpt of the interview after the cut and feel free to leave your thoughts in the comment section below.
Looking to take your craft and career as a performing singer-songwriter to the next level? Sometimes the right book can help you do just that.
I recently had a chat with my friend Jeffrey Pepper Rodgers, whose critically-acclaimed book The Complete Singer-Songwriter: A Troubadour’s Guide to Writing, Recording, Performing and Business just came out in paperback. This updated and expanded second edition features songwriting tips and techniques from more than 100 artists, including Joni Mitchell, John Mayer, Paul Simon, Rosanne Cash, Jewel, Jeff Tweedy, Ani DiFranco, James Taylor, John Fogerty, Brandi Carlile, Richard Thompson, Jason Mraz, Rodney Crowell, Jerry Garcia, Dar Williams, and more.
Rodgers is the real deal: He is a grand prize winner of the John Lennon Songwriting Contest, a contributor to NPR’s All Things Considered, and founding editor of Acoustic Guitar magazine.
Here are some highlights from our talk:
Q: What made you want to write The Complete Singer-Songwriter years ago? Why bring it now to paperback — how has the world of the performing singer-songwriter changed?
A: I wrote the book originally because I felt like I had something unique to offer. As a lifelong songwriter and founding editor of Acoustic Guitar magazine, I had the privilege of talking in depth with so many brilliant songwriters about their creative lives—people like Paul Simon, Joni Mitchell, James Taylor, Pete Seeger, Jerry Garcia, Ani DiFranco, and on and on and on. There were always “aha!” moments in the interviews, where the artists shared a piece of hard-won advice or an anecdote that cut right to the heart of things. I realized if I combined nuggets from these conversations with my other reporting on the songwriting scene, I’d have something really valuable and enduring that would be altogether different from all the books out there that purport to teach you the “secret formulas” of hit songwriting.
The first edition came out in 2003. Since then I’ve done so many more incredible interviews—John Fogerty, Elvis Costello, Dar Williams, Richard Thompson, Brandi Carlile, Jeff Tweedy… I also wanted to add to the book new lessons on chord progressions, rhyme, songwriting games, and more, and advice on emerging business topics like online performing, house concert networks, digital royalties, and fan funding. So all these things went into the second edition. It is a labor of love.
Read the rest of the interview HERE
Bobby Borg, author of Business Basics for Musicians, is back again with some helpful tips for those looking for an entertainment attorney. He points out five important qualities to keep an eye out for to make sure they are the right match for you. Read an excerpt below!
Finding an entertainment attorney isn’t difficult to do. The challenging part is finding an attorney who is right for you.
Attorneys are necessary to the business of music, and eventually, an entertainment attorney may be integral to your music career success. A good music business attorney reviews contracts you receive with your best interests in mind, translates contract clauses and complicated legal writing into terms you can understand, and knows what issues are most important to negotiate for in recording, publishing, and merchandising agreements.
Finding an entertainment attorney isn’t difficult to do: you can ask for referrals from other bands in your city, refer to music industry source books such as the Music Business Registry, and even seek lawyer referral services in your area with a simple Google search. The challenging part is finding an attorney who is right for you. Like in any profession, there are good and bad attorneys, and you’ll need to look past the standard qualifiers like price and location to find someone who you like and trust. You might end up paying a little more, but here are five important considerations when hiring an entertainment attorney.
1. Years in practice. Consider the number of years your potential attorney has been specializing in the music business and whether they do it full time. This is important! It’s difficult, even for attorneys, to make it in music, so when you find one who has been at if for a while, you’ve found one who is doing something right. Second, the music industry is constantly changing, so it makes sense to hire someone who is nose deep in music rather than someone who is just taking on the occasional client in between divorce cases. This is not to say a young or smart attorney can’t get the job done right, but an experienced and specialized attorney may be a safer bet.
2. Client list. Be sure to consider the various artists an attorney has represented. I have personally observed that attorneys who have represented successful clients get things done faster. When first starting out in the music business, I hired an attorney in my home town of Princeton, NJ who had never represented anyone notable in the music industry. The New York heavyweights he went up against had a field day with him. They waited several weeks between correspondences and seemed to pay him zero respect. The deal dragged on for months and never got done. It was a frustrating experience.
Read the rest of the tips HERE!
The Producer’s Perspective, a blog featuring a Broadway producer’s opinion on everything Broadway and beyond, is having a giveaway! The lucky book that is featured is John Breglio’s, I Wanna Be a Producer! The giveaway ends May 14 so be sure to enter below before time runs out. Best of luck!
What does a “producer” actually do? How does one travel from that great idea for a show to a smash hit opening night on Broadway? John Breglio cannot guarantee you a hit, but he does take the reader on a fascinating journey behind-the-scenes to where he himself once stood as a child, dreaming about the theatre.
Part memoir, part handbook, I Wanna Be a Producer is a road map to the hows and wherefores, the dos and don’ts of producing a Broadway play, written by a Broadway veteran with more than 40 years of experience. This comprehensive and highly informative book features practical analysis and concepts for the producer – and is filled with entertaining anecdotes from Breglio’s illustrious career as a leading theatrical lawyer and producer. Breglio recounts not only his first-hand knowledge of the crucial legal and business issues faced by a producer, but also his experiences behind the scenes with literally hundreds of producers, playwrights, composers, and directors, including such theatre luminaries as Michael Bennett, Joe Papp, Stephen Sondheim, Andrew Lloyd Webber, Patti Lupone, August Wilson, and Mel Brooks. Whether you are a working or aspiring producer, an investor, or are just curious about the backstage reality of the theater, Breglio shares his knowledge and experience of the industry, conveying practical information set against the real-life stories of those who have devoted their lives to the craft.
Author of the book Ringo: With a Little Help, Michael Seth Starr, spoke with Ghosty host of The Vintage Rock & Pop Shop. They spoke about the book, why he chose to focus on Ringo and gave some background on the Beatles. Listen to the podcast below to hear the entire interview and leave your thoughts in the comment section below!
Ringo: With a Little Help is the first in-depth biography of Beatles drummer Ringo Starr, who kept the beat for an entire generation and who remains a rock icon over fifty years since the Beatles took the world by storm. With a Little Help traces the entire arc of Ringo’s remarkable life and career, from his sickly childhood to his life as The World’s Most Famous drummer to his triumphs, addictions, and emotional battles following the breakup of the Beatles as he comes to terms with his legacy.
Born in 1940 as Richard Starkey in the Dingle, one of Liverpool’s most gritty, rough-and-tumble neighborhoods, he rose from a hardscrabble childhood – marked by serious illnesses, long hospital stays, and little schooling – to emerge, against all odds, as a locally renowned drummer. Taking the stage name Ringo Starr, his big break with the Beatles rocketed him to the pinnacle of worldwide acclaim in a remarkably short time. He was the last member of the Beatles to join the group but also the most vulnerable, and his post-Beatles career was marked by chart-topping successes, a jet-setting life of excess and alcohol abuse, and, ultimately, his rebirth as one of rock’s revered elder statesman.
Author of The Great British Recording Studios, Howard Massey, was interviewed by AudioFanzine. AudioFanzine is an online magazine that caters to musicians as well as sound engineers, home-studio recording enthusiasts, and more. Read an excerpt of the interview below and see it all at AudioFanzine!
In the early 1960s, at the beginning of the British Invasion, the studio scene in England was thriving, but the British studios used different gear and got a very different sound than their U.S. counterparts. In recent times, most of the major British recording studios have closed, and for a time, it looked like much of their history was in danger of disappearing, too.
In 2010, music journalist Howard Massey was approached by Malcolm Atkin from the Association of Professional Recording Services, a British studio trade group that was headed at the time by Sir George Martin. Atkin asked Massey to write a book documenting the British studio scene of the ‘60s and ‘70s, in order to document that very important era of recording. (Martin ended up writing the book’s forward.)
Massey agreed, and spent the next five years researching the book. The result was The Great British Recording Studios (2015, Hal Leonard Books), a fascinating read for any fan of recording. It looks at the major British studios during those decades, including who recorded in them, what gear they used, who the engineers were, and more.
Audiofanzine had a chance to talk to Massey and delve into the world of British recording in the golden years.
The book goes into great detail about the studios, including their engineers and gear collections. How did you get all that information?
Well, it was an enormous research project. I kind of think of it now as the world’s longest term paper. I was given access to the APRS archives, all the major studios were members and as part of membership they had to submit their equipment listings. So I had access to that, and also, there was an APRS directory that was published every year in which most studios took ads and listed their equipment. So I was able to track the changes through the years. And then, tons of online sources, and there were annual Billboard listings in England of studios. So basically, it was a lot of putting pieces together. But the material was sourced from the studios themselves. It was not third-party, or estimates. It was all actual hard facts and figures I was able to find sources for.
Did you interview lots of people, as well?
I interviewed over 300 people.
Did you spend a lot of time over there doing this?
I made five trips to England over the course of the five years.
Because of the Beatles, we’ve heard a lot about EMI Studios (now Abbey Road Studios), but Olympic and Trident were the other two really big ones back then, right?
Yes, I would say. Along with Decca. Decca was probably a little more well known for classical recordings, but the Decca complex was actually bigger than the EMI complex. It was actually larger.
And Decca is where they invented the Decca Tree stereo-miking technique?
Exactly. That was one of the key technical innovations. Of course, EMI was responsible for the Blumlein pair, which is kind of the counterpart. But in terms of pop, EMI, Trident and Olympic were the big three. The Who did a lot of recording at IBC, that was another big studio. And there were a few of them, the prog-rock bands like Yes and ELP tended to work at Advision, another key facility. And then there was a very, very large film-scoring facility called Delane Lea CTS, where almost all the James Bond films were scored, the blockbuster James Bond films out of the ’60s were recorded there.
Read the entire interview here
Don Randi, author of You’ve Heard These Hands, was Spencer Leigh’s guest on BBC Merseyside’s On the Beat. They spoke about Don Randi’s musical background and the many people that he worked with as a member of The Wrecking Crew. Listen to the podcast below to learn more!
With that, Don Randi begins his introduction to You’ve Heard These Hands: From the Wall of Sound to the Wrecking Crew and Other Incredible Stories, a fascinating look at the life and musical times a keyboard musician, composer, arranger, music director, and record producer who has thrilled music lovers for years, even if they weren’t aware of it.
Randi played keyboards on over a thousand popular recordings and was a member of the remarkable “Wrecking Crew” of studio musicians during the explosive pop music era of the 1960s and early 1970s. Nancy Sinatra, the Beach Boys, the Jackson 5, Elvis Presley, Sammy Davis Jr., Neil Diamond, and Linda Ronstadt are among the many music greats Randi has worked with and writes about in You’ve Heard These Hands.
For many years, only music industry insiders, close friends, and jazz fans who visit Randi’s nightclub, The Baked Potato, have heard him tell some of the amazing, heartfelt, and hilarious personal stories in this collection. Now everyone can discover the in-studio, behind-the-scenes, and on-tour tales from the man whose hands we’ve heard playing on our favorite hit tunes. You’ve Heard These Hands will capture the attention and emotion of its readers, who won’t be able to resist sharing Randi’s stories with their friends.