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The Rocky Horror Picture Show

The Rocky Horror Picture Show

Everything Left to Know About the Campy Cult Classic

by Dave Thompson

Website

When assessing the cultural impact of The Rocky Horror Picture Show, author Dave Thompson does not pull his punches: “Forty-plus years on from its debut in a tiny London theater; four decades, too, from its transition to the silver screen, Rocky Horror stands among the 1970s’ most lasting, and successful, contributions to modern culture.”

Thompson’s latest contribution to the Applause Books FAQ series, The Rocky Horror Picture Show FAQ (April 2016, Applause Books, $19.99) is the in-depth story of not only the legendary stage show and movie, but of a unique period in theatrical history, in both the movie’s UK homeland and overseas.

Inside these pages, we see Rocky Horror as sexual cabaret and political subversion, as modern mega-hit and Broadway disaster. At the movie house, we learn when to shout, what to throw, and why people even do those things. Here is the full story of the play’s original creation; its forebears and its influences are laid out in loving detail, together with both the triumphs and tragedies that attended it across the next 40 years.

Packed with anecdotes, The Rocky Horror Picture Show FAQ is the story of dozens of worldwide performances and the myriad stars who have been featured in them. From Tim Curry to Anthony Head, from Reg Livermore to Gary Glitter, from Daniel Abineri to Tom Hewitt, the lives and careers of the greatest ever Frank N. Furters stalk the pages, joined by the Riff-Raffs, Magentas, Columbias, and all the rest.

 The book also includes the largest and most in-depth Rocky Horror discography ever published, plus a unique timeline – The Ultimate Rocky Horror Chronology – detailing the who, what, where, and when of absolute pleasure.

 The Rocky Horror Picture Show FAQ will have you doing the Time Warp again!

 

$19.99
6.0″ x 9.0″
 400 pages
9781495007477
B&W illustrations and photographs throughout
Applause Theatre & Cinema Books, an imprint of Hal Leonard Corporation

 

ABOUT THE AUTHOR:

Dave Thompson is the author of more that 100 books on television, music, and pop culture, with previous titles in the Backbeat Books and Applause Books FAQ Series on Sherlock Holmes, Doctor Who, South Park, The Twilight Zone and soccer. His writing has appeared in Rolling Stone, Spin, Goldmine, MOJO, Melody Maker and other outlets. He lives in Newark, Del.

00139671

Interview with David Bushman & Arthur Smith

Authors of the book Twin Peaks FAQ, David Bushman and Arthur Smith, spoke with Byron and Ben hosts of Twin Peaks Unwrapped. They spoke about the return of Twin Peaks, what you can learn in the book, and lots more! Click below to listen to their interview.

>>Listen<<

Twinpeaks_coverTwin Peaks, the infamously strange, seductive, and confounding murder mystery, first made network television safe for surrealism 25 years ago, is set to return to the small screen in early 2017. Created by David Lynch and Mark Frost, the series continues to enjoy a hallowed standing in popular culture and remains a touchstone in the evolution of TV as an artistic medium.

For its many intensely devoted fans, Twin Peaks continues to beguile and disturb and delight; it’s a bottomless well of allusions, symbols, conundrums to ponder and images to unpack, an endlessly engrossing puzzle box, an obsessive’s dream.

                  Twin Peaks FAQ: All That’s Left to Know About a Place Both Wonderful and Strange by David Bushman and Arthur Smith will guide longtime fans and the newly initiated through the origins of the series, take them behind the scenes during its production, and transport readers deep into the rich mythology that made Twin Peaks a cultural phenomenon.

                  Bushman and Smith provide detailed episode guides, character breakdowns, and explorations of the show’s distinctive music, fashion, and locations. With a sometimes snarky, always thoughtful – but never dry or academic – analysis of Twin Peaks‘ myriad oddities, mysteries, references, and delicious insanity, Twin Peaks FAQ is a comprehensive, immersive, and irresistible reference for experts and newbies alike.

How an Entertainment Lawyer Became a Broadway Producer

John Breglio, author of I Wanna Be a Producer, was once an entertainment lawyer before he became best known for his critically acclaimed revival of A Chorus Line and Dreamgirls. In this featured article below from Playbill, they take a look at John Breglio’s book and “making a career change if you’re willing to take a leap”.  Read a snippet below to learn more.


IWannaBeCOVERJohn Breglio, one of the toughest and savviest theatrical attorneys on Broadway, decided to take down his shingle a decade ago to become, of all things, a Broadway producer.

A man who once sat behind the creators at the table on shows including A Chorus LineNineFencesDreamgirls, The Elephant Man and Sunset Boulevard, to name just a few, now sits at the head of the table.

In life, he says, “You have to be willing to take that leap.” He must firmly believe that, as he is leaping once again into uncertain waters as a first-time author. His book, I Wanna Be A Producer: How to Make a Killing on Broadway… or Get Killed, is equal parts autobiography, textbook and showbiz tell-all.

Those who get bitten by the theatre bug generally remember the precise moment that its mandibles sank in. For Breglio, the moment came at age nine, when he was hypnotized by Gwen Verdon in her Tony-winning role as Lola in Damn Yankees, singing the erotically charged “Whatever Lola Wants, Lola Gets.”

The electricity of that moment carried him through law school and into his entertainment law career. There are so many things that people speculate about in show business, like what really happened between Patti LuPone and Andrew Lloyd Webber during the fateful transfer of the musical Sunset Boulevard from London to Broadway. Or what exactly was the deal Michael Bennett struck to give members of the original cast of A Chorus Line a share of the profits. Breglio helped craft those deals, and is able to pull back the curtain on their mysteries, setting the record straight.


Read the entire article by clicking here.

 

Ten Minute Interview with David Misch

Author of Funny: The Book, David Misch, was interviewed on Ten Minute Interviews, a unique platform for authors, musicians and other creative individuals to speak about themselves, their lives and their work. David has lent his voice to sitcoms including Mork & Mindy, Police Squad! and Duckman, he has also released a new book titled A Beginners Guide to Corruption. Learn more about David in the interview below!


00314925What was your childhood like, and how did it shape who you are today?

I was born in a humble log cabin in 1946, then again in a split-level thatched roof cottage in 1950. Growing a remarkable twelve inches a day (though, unfortunately, entirely in my shins), I was recruited by both the Chicago Bulls and AAA Ceiling Repair before my fourth birthday, but opted instead for a career as a professional snitch.

After ratting out literally dozen of ne’er-do-wells to the FIB, I realized I should have been dealing with the FBI, not Fellas In Basements, a special-interest group devoted to the study of La-Z-Boy armchairs. I then retired to an underwater colony of scuba gear scavengers who, unable to find scuba gear, drowned. I will be missed.

Growing up, who were your biggest comedic and creative influences?

But seriously…

When, as a kid, I discovered James Thurber, I then quickly went through the renowned wits of my day (and earlier days) – S.J. Perelman, Robert Benchley, P.G. Wodehouse – while on TV I saw great comics like Jackie Gleason and Dick Van Dyke, and film comedies from the ’20s through the ’50s.

But my seminal experience came from the Marx Brothers on the big screen. In my 20s, I lived in Cambridge, Mass. It was the ’70s and someone had the idea of playing old movies in theaters (what we now call “art houses”). The Marxes were pretty much forgotten, but one night a theater had a double-bill of Duck Soup and A Night At The Opera and the sold-out audience laughed so loudly you could barely hear the dialogue. I was hooked, with the lifelong goal to make audiences emit that loud barking noise at regular intervals.

How did the opportunity to work on Mork & Mindy come about?

I moved from Boston to New York City, where I became a stand-up and was spotted by Woody Allen’s manager, who signed me as a writer (which says volumes about my skill as a stand-up). Soon I was on a plane to L.A. to write for what I thought would be a lame sitcom about a Martian. But my manager also handled Robin Williams who, he said, “is actually pretty good.”

Despite airing only six episodes, Police Squad! is one of the most revered TV series of all time. What was it like to work on that show, and did you realize at the time that you were creating something special?

In every interview with someone who worked on something great, they say “I had no idea.” I can now confirm that’s true. With the caveat that we all knew it was damn funny.

Jerry Zucker, Jim Abrahams and David Zucker (“ZAZ”) had just made the hit movie Airplane!, which I loved. When their next movie idea – a parody of cop shows – didn’t sell, they decided to do it as a TV series.

Although I’d had a great time on Mork, most of the writers were older; ZAZ and the rest of the Police Squad! staff were my age and more my sensibility, so it was tremendous fun.

One thing I learned was sticking up for what you believe. The former dramatic leading man Leslie Nielsen was a supporting player in Airplane!, one of the first times he’d done comedy. The guys wanted him for Police Squad! but the network called to say no, he was too old.

The guys said “Okay, we understand,” hung up the phone, left the office, got in their cars, and drove off the studio lot. “We’re millionaires,” they said. “We don’t care.” A few hours later, Leslie Nielsen was our lead.

Another favorite memory from that show was landing at LAX in jacket and business shoes, getting picked up by a limo and driven to the beach in Santa Monica, where I was told I’d be judging a bikini contest with ZAZ. I remember walking across the hot sand, shedding my ludicrous outfit, thinking, “This is gonna be fun.” It was.

What was your role on The Muppets Take Manhattan?

The movie had been written and was going into production in a few weeks when they decided they needed someone to write for the constantly-changing list of celebrities who were going to do cameos in the movie. As I started doing that, director Frank Oz started making other changes too and before I knew it, I was rewriting the movie.

I was on set during shooting; one day in Central Park, I watched as Frank as Miss Piggy and Jim Henson as Kermit acted and improvised (with lots of obscenities) while a crowd gathered and stared not at the two six-foot-plus men, but at the two pieces of felt at the end of their arms.


Click here to read to the entire interview.

John Breglio on The Daily

John Breglio, author of I Wanna Be a Producer, was on The Daily, a radio show featured on Talk Radio Europe. He spoke with Allan Tee about his book and his background in being an entertainment lawyer. Listen to the full interview by clicking on the link below!

>>Listen<<

IWannaBeCOVERWhat does a producer actually do? How does one travel from that great idea for a show to a smash hit opening night on Broadway? In I Wanna Be a Producer: How to Make a Killing on Broadway…or Get Killed (April 2016, Applause Books, $29.99), John Breglio – a Broadway veteran with more than 40 years experience – shares an exceptional road map for the hows and wherefores, the dos and don’ts of producing a Broadway play. In this highly informative book, Breglio offers practical concepts for the aspiring producer and entertains with great personal anecdotes from his illustrious career as a leading theatrical lawyer and producer.

Breglio recounts not only his first-hand knowledge of the crucial legal and business issues faced by a producer, but also his experiences behind-the-scenes with literally hundreds of producers, playwrights, composers, and directors, including such theatre luminaries as Michael Bennett, Joe Papp, Stephen Sondheim, Andrew Lloyd Webber, Patti Lupone, August Wilson, and Mel Brooks.

Says Breglio, “Ultimately, my goal is to give the business of producing the respect it deserves. It is a profession that requires numerous skills, both business and creative. It demands relentless fortitude and optimism, and it should never be assumed casually without recognizing the enormity of the task.”

Working or aspiring producers, investors, directors, actors, designers, teachers — as well as those who are simply curious about the backstage reality of the theater — will relish John Breglio’s sage advice and irresistible storytelling. They’ll also treasure the included DVD of Every Little Step, a documentary of the auditions for the 2006 Broadway revival of A Chorus Line.

I Wanna Be a Producer is indispensable reading for theater professionals and fans of all levels – from high school drama clubs to college theater programs, from community theater groups and summer stock to The Great White Way.

The life of Arthur Laurents

Arthur Laurents, a writer, director, and also an author of Original Story By, Mainly On Directing, and The Rest Of The Story, was featured in The Wow Report on WorldofWonder.net. He is best known for directing  three revivals of Gypsy, but in his trio of memoirs we learn much more about the Tony Award winning director. Read about Arthur Laurents and his works in the article below!


00129232July 14, 1917Arthur Laurents, as the story goes: late for his place on a panel discussion, Laurents burst onto the stage draped in mink and announced: “Behold, a living legend!” Stephen Sondheim, also on the panel, looked up and said: “Wrong on both counts”.

I just ate up his trio of memoirs Original Story By (2000), Mainly On Directing (2009), and The Rest Of The Story (2012), each chock full of yummy, dishy theatre and Hollywood stories. Laurents is important to me in many ways. I admire the way he boldly lived his life. I love his work, most especially because he wrote the book for my favorite musical Gypsy (1959), which I find to be a perfect piece of theatre. Musical Theatre fanatics will go on forever discussing the subject of who was the greatest Mama Rose in this landmark musical. This casting quandary can be a playful parlor game or a bitter argument for Musical Theatre types. Jerome Robbins directed the original production, but Laurents directed three revivals of Gypsy including my favorite version starring my good close personal friend Angela Lansbury in 1974, but there was also Tyne Daly in 1989 and Patti Lupone’s 2007 Tony Award winning turn.

In 2010, at 92 years old, Laurents directed a revival of West Side Story, a theatre classic for which he wrote the original lean, strong book. In this production, it was Laurents’s conceit to have the Sharks and their girls, who are from Puerto Rico, speak and sing in Spanish. The cast would all be young and if not Puerto Rican, at least Hispanic. Laurents explained that the idea came from his partner of 52 years, Tom Hatcher (Laurents and actor Farley Granger had been lovers in the late 1940s), who admired a production of the musical in South America. It was also Hatcher who urged Laurents to revive Gypsy with Patti LuPone, so that the controversial Sam Mendes directed 2003 production starring Bernadette Peters would not be the last Gypsy in Laurents’s lifetime.

Laurents won four Tony Awards and was nominated for six Academy Awards, winning for his screenplay for The Turning Point (1977).

His life encompassed great swaths of 20th century cultural history and the famous figures 00314474within it. His theatre career had barely started when Laurents was drafted into the Army in 1941. He spent the war years writing training films and radio propaganda shows under the command of Private George Cukor. He had also come to terms with his gayness and soon lost count of the sexual experiences he experienced while in the Army. In Original Story By he writes openly of his lifetime of gay encounters, referring to his partners as “those unremembered hundreds.”

As a gay man living as openly as possible during some of this country’s most dangerous times, Laurents was a role model of discretion, but he was living the way he wanted, despite public opinion and cruelty against gay people everywhere.


Read the article in its entirety here.

John Breglio on the Knowledge@Wharton Podcast

John Breglio, author of I Wanna Be a Producer, was on University of Pennsylvania’s podcast, Knowledge@Wharton! In addition to speaking about his book he also spoke about his life and how he transitioned from being a lawyer to producing Broadway shows. To hear the entire podcast click on the link below!

>>Listen<<

IWannaBeCOVERWhat does a producer actually do? How does one travel from that great idea for a show to a smash hit opening night on Broadway? In I Wanna Be a Producer: How to Make a Killing on Broadway…or Get Killed, John Breglio – a Broadway veteran with more than 40 years experience – shares an exceptional road map for the hows and wherefores, the dos and don’ts of producing a Broadway play. In this highly informative book, Breglio offers practical concepts for the aspiring producer and entertains with great personal anecdotes from his illustrious career as a leading theatrical lawyer and producer.

Breglio recounts not only his first-hand knowledge of the crucial legal and business issues faced by a producer, but also his experiences behind-the-scenes with literally hundreds of producers, playwrights, composers, and directors, including such theatre luminaries as Michael Bennett, Joe Papp, Stephen Sondheim, Andrew Lloyd Webber, Patti Lupone, August Wilson, and Mel Brooks.

Says Breglio, “Ultimately, my goal is to give the business of producing the respect it deserves. It is a profession that requires numerous skills, both business and creative. It demands relentless fortitude and optimism, and it should never be assumed casually without recognizing the enormity of the task.”

Working or aspiring producers, investors, directors, actors, designers, teachers — as well as those who are simply curious about the backstage reality of the theater — will relish John Breglio’s sage advice and irresistible storytelling. They’ll also treasure the included DVD of Every Little Step, a documentary of the auditions for the 2006 Broadway revival of A Chorus Line.

I Wanna Be a Producer is indispensable reading for theater professionals and fans of all levels – from high school drama clubs to college theater programs, from community theater groups and summer stock to The Great White Way.

David Bushman and Arthur Smith speak with Mr. Media!

Authors of Twin Peaks FAQ, David Bushman and Arthur Smith spoke with Bob Andelman, also known as, Mr. Media! They discussed Twin Peaks FAQ, the enduring appeal of Twin Peaks, and its comeback to television. To listen to the whole interview click on the link below!

>>Listen<<

Twinpeaks_coverTwin Peaks, the infamously strange, seductive, and confounding murder mystery, first made network television safe for surrealism 25 years ago, is set to return to the small screen in early 2017. Created by David Lynch and Mark Frost, the series continues to enjoy a hallowed standing in popular culture and remains a touchstone in the evolution of TV as an artistic medium.

For its many intensely devoted fans, Twin Peaks continues to beguile and disturb and delight; it’s a bottomless well of allusions, symbols, conundrums to ponder and images to unpack, an endlessly engrossing puzzle box, an obsessive’s dream.

Twin Peaks FAQ: All That’s Left to Know About a Place Both Wonderful and Strange by David Bushman and Arthur Smith (June 2016, Applause Books, $19.99) will guide longtime fans and the newly initiated through the origins of the series, take them behind the scenes during its production, and transport readers deep into the rich mythology that made Twin Peaks a cultural phenomenon.

Bushman and Smith provide detailed episode guides, character breakdowns, and explorations of the show’s distinctive music, fashion, and locations. With a sometimes snarky, always thoughtful – but never dry or academic – analysis of Twin Peaks‘ myriad oddities, mysteries, references, and delicious insanity, Twin Peaks FAQ is a comprehensive, immersive, and irresistible reference for experts and newbies alike.

Twin Peaks FAQ giveaway!

Your chance to win a copy of Twin Peaks FAQ has doubled! Erie Gay News and PopCultureGuy are both having a giveaway where one lucky person will be able to win a copy of the book! To enter the contest, courtesy of Erie Gay News, click on the link below but hurry the contest runs from  June 21 to July 12!

>>Click here<<


To enter the giveaway, courtesy of PopCultureGuy click on the link below! The giveaway runs from June 20th – July 5th! Best of luck to you all!

>>Click Here<<

Twinpeaks_coverTwin Peaks, the infamously strange, seductive, and confounding murder mystery, first made network television safe for surrealism 25 years ago, is set to return to the small screen in early 2017. Created by David Lynch and Mark Frost, the series continues to enjoy a hallowed standing in popular culture and remains a touchstone in the evolution of TV as an artistic medium.

For its many intensely devoted fans, Twin Peaks continues to beguile and disturb and delight; it’s a bottomless well of allusions, symbols, conundrums to ponder and images to unpack, an endlessly engrossing puzzle box, an obsessive’s dream.

Twin Peaks FAQ: All That’s Left to Know About a Place Both Wonderful and Strange by David Bushman and Arthur Smith (June 2016, Applause Books, $19.99) will guide longtime fans and the newly initiated through the origins of the series, take them behind the scenes during its production, and transport readers deep into the rich mythology that made Twin Peaks a cultural phenomenon.

Bushman and Smith provide detailed episode guides, character breakdowns, and explorations of the show’s distinctive music, fashion, and locations. With a sometimes snarky, always thoughtful – but never dry or academic – analysis of Twin Peaks‘ myriad oddities, mysteries, references, and delicious insanity, Twin Peaks FAQ is a comprehensive, immersive, and irresistible reference for experts and newbies alike.

Fun facts in Twin Peaks FAQ

Authors of Twin Peaks FAQ, David Bushman and Arthur Smith, have written a jam packed book full of facts for both veterans and new comers of the show Twin Peaks. With Twin Peaks return to television slowly approaching, now is the perfect time to catch up on all things Twin Peaks related with Twin Peaks FAQ. Courtesy of io9 Gizmodo, below are some facts that diehards of the show may not have been aware of, such as…


Twinpeaks_cover1) The Twin Peaks actually have names

According to a Lynch-drawn map, they are White Tail Mountain and Blue Pine Mountain—though the actual peaks glimpsed in the show comprise Mount Si in North Bend, Washington, where many of the exteriors were filmed.

2) Twin Peaks, Washington was almost Twin Peaks, North Dakota

Lynch and his Twin Peaks co-creator, Mark Frost, first intended their mystery to unfold amid the isolation of the Great Plains, but abandoned that idea after realizing evergreen forests would offer a more mysterious visual backdrop than barren prairies.

3) David Patrick Kelly (Jerry Horne) played Luther in The Warriors

How have I never noticed this before?

4) The part of Josie Packard was originally conceived for a different foreign actress

And one who’d worked with David Lynch and Kyle MacLachlan before: Isabella Rossellini. Joan Chen ended up playing the femme fatale role instead. (Page 83)

5) David Lynch never liked Windom Earle

Agent Cooper’s former partner arrives in town late in Season Two, and he was modeled by Arthur Conan Doyle fan Mark Frost after Sherlock Holmes’ nemesis, Professor Moriarty. But Lynch “reportedly found the character unsubtle and uninteresting,” and rewrote a lot of the finale to replace Earle with Bob in the final clash with Cooper.

6) This is David Lynch’s favorite song

It’s “Song to the Siren,” by Tim Buckley. It’s mentioned by the authors because when Lynch was unable to secure the song’s use in Blue Velvet, he collaborated with composer Angelo Badalamenti on a different tune that’s sung by Julee Cruise in that movie. A few years later, Badalamenti penned Twin Peaks’ now-iconic themes, while Cruise popped up as the ethereal bar chanteuse at the Roadhouse.


Read all 11 facts over at io9 or by clicking HERE

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