Blog Archives
Tips on Desktop Mastering
Steve Turnidge is the author of Desktop Mastering. Below are his tips on desktop mastering. Some of these videos are excerpts from the DVD-ROM that comes with the book.
DVD-ROM TOUR
Desktop Mastering videos from Steve Turnidge
“Special Place”
Find more great pro audio tutorials on our MusicPro Guides YouTube channel!
Desktop Mastering is a conceptual guide, intertwining a broad range of knowledge regarding audio engineering principles and practical applications for those wishing to enhance their own as well as their clients’ work. In addition to providing a step-by-step in-depth survey of a successful mastering plug-in chain, Desktop Mastering covers real-world practical applications, the fundamentals of audio and electronics. Also included is a personal guide to the business of mastering, leveraging emerging social networks for positive personal and business results.
What Is Hal Leonard up to at AES This Year?
The Audio Engineering Society conference takes place in San Francisco this year from Oct. 26 to Oct. 29. Stop by the Hal Leonard booth. Buy books, talk to authors, enter our giveaway, and more!
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In the Booth
Giveaway
MusicPro Guides YouTube Channel
Panels, Tutorials, and Workshops with Hal Leonard authors
Q&A with Steve Turnidge
Steve Turnidge is the author of Desktop Mastering (Hal Leonard Books). The following is an excerpt of Mix Magazine’s interview with him. Please visit Mix online for the full interview.
Mix: What advice about mastering would you give to students that they can put to use immediately?
Steve: First, make a distinction between hearing and listening. We hear all the time, but listening is a conscious event. Bring attention to your listening.
Second, work to get an accurate listening environment. Investigate speaker placement, especially, and work toward accurate frequency response from your system. Tuning your listening position sweet spot with a Real Time Analyzer and room EQ is a great start. You wouldn’t operate on someone without an X-Ray to see where the internal organs are, and you shouldn’t make critical changes to audio without knowing that what you are hearing out of your system is closely equivalent to what went in to it.
Third, work at a consistent level. You can check things softer or louder, but find a position for your volume control and only work there. Train your ear for a given output, and your decision making process will receive a consistent input.
Lastly, I’d make sure that the students have a clear view of the stage of music production they are working on at any given moment. There are generally four stages of production: Tracking, Mixing, Mastering and Distribution. These stages closely reflect the stages of baking a pie.
Tracking is like getting the ingredients together: the fresher and cleaner the source material is, the better the pie will be.
Mixing is like, well, mixing. This is where all the components are blended together and placed in the pan. It is important to realize that the freshly mixed and prepared pie is not yet ready to eat: it still needs baking.
Mastering is the baking phase. Among the most common errors mastering engineers see are half-baked pies. This is when compression, limiting, and high levels make the mastering job more about restoration than enhancement. If the mixed file sounds like it is ready to go on the radio, it is probably not in an appropriate pre-mastered state.
The last stage, distribution, is like the hot pie on the windowsill, drawing the audience and fans from far and wide.
It is important to know and work appropriately on the stage you are in.
Keep reading this interview on Mix’s website!
Desktop Mastering is a conceptual guide, intertwining a broad range of knowledge regarding audio engineering principles and practical applications for those wishing to enhance their own as well as their clients’ work. In addition to providing a step-by-step in-depth survey of a successful mastering plug-in chain, Desktop Mastering covers real-world practical applications, the fundamentals of audio and electronics. Also included is a personal guide to the business of mastering, leveraging emerging social networks for positive personal and business results.
Hal Leonard at Winter NAMM 2012
Bobby Owsinksi, author of Music 3.0 and his Handbook series, says “The 2012 Winter NAMM was a picture of enthusiasm, both from an exhibitor and attendee standpoint, a sign that the economy might finally be turning around. I was happy to be there in support of the release of the 2nd edition of my Music 3.0 book, which continues to enjoy enormous support from both musicians and the music business community alike.”
He has further reported on NAMM 2012 on his blog:
Part 1: Audio Gear
Part 2: Guitars and Amps
Part 3: Unusual Things
You can also read his Q&A on Twitter about NAMM
For Steve Turnidge, author of the upcoming Hal Leonard book Desktop Mastering (March 2012), this year’s NAMM was the best ever. He is especially exited to try out hosting his Desktop Mastering plug-in chain in iZotope’s RX 2 Advanced, and experimenting with implementation of the mastering chain using iZotope Ozone 5. He looks forward to trying out some new Waves plug-ins and putting the Sonnox Pro-Codec into his digital delivery workflow. Several of his circuit board designs launched at this show, including the Pigtronix Infinity Looper and several products from Synthwerks. His favorite (and most surprising) new release at the show was the Yamaha THR-10 guitar amp, with big sound and capability from a small, portable box.
Tom Wheeler (author of The Dream Factory) talks about NAMM
Guitar World magazine (authors of The Complete History of Guitar World, the forthcoming Dear Guitar Hero, and many other books) reports on NAMM
Moses Avalon (pictured below) reports on NAMM on his blog.