Andrew Gerle is the author of The Enraged Accompanist’s Guide to the Perfect Audition. Below is a Q&A that was done with stagenotes.net.
What first sparked your interest in Broadway and Theatre?
I’ve been in love with theater since I was a small child, doing plays and musicals in school growing up, then joining a children’s theater company in Tallahassee. I love music (grew up as a classical pianist) and I love stories, so it’s a perfect combination.
What was your favorite subject in High School and why?
I was a typical music/math geek, so I really liked math classes. It was like doing puzzles. Organic chemistry was also fun, similar puzzle-type activity.
When did you decide to write The Enraged Accompanist’s Guide to the Perfect Audition and why?
I had been toying with the idea for several years before I sat down to write it a few summers ago. I had played so many auditions and had begun to see patterns in the actors that were auditioning, simple pointers that clearly they just weren’t being taught. I love actors, and it frustrated me to see good ones giving bad auditions when I knew they could be doing better and feeling better about the process.
Other than auditioning, what lessons can be taken away from the book for subjects like Public Speaking, Music, Psychology, Social Studies, etc.?
I’ve had a lot of people read the book and see parallels in other disciplines. What I stress is not only the nuts-and-bolts specifics of audition technique for musical theater, but even more importantly, the mindset that leads to a successful audition, and a successful career. When you put too much pressure on a single audition (or speech, or performance, or athletic event), it can really get in your way. The most successful auditions are ones where the actor is simply showing themselves off to their best ability, doing what they do best, not trying to be something they’re not, not trying to please people they’ve never met. Confidence is seductive and leads to a better performance, no matter what the field.
Keep reading this interview on stagenotes.net.
“I am your accompanist. You do not know me. I am the guy who sits behind the upright in the unflattering fluorescent light of the dance studio, a bottle of water on the floor, a half-eaten Power Bar on the bench, and your audition in my hands.”
Award-winning New York theatre composer and pianist Andrew Gerle pulls no punches in this irreverent, fly-on-the-wall guide to everything you’ve never been taught about auditioning for musical theatre. From the unique perspective of the pianist’s bench, he demystifies the audition process, from how to put together your book and speak to an accompanist to the healthiest and savviest ways to approach the audition marketplace and your career. By better understanding the dynamics of professional auditions, you will learn to present yourself in the strongest, most castable way while remaining true to your own special voice – the one that, in the end, will get you the job.