It’s been 23 years since The X-Files debuted and with its resurgence earlier this year, Season 11 is on the way. John Kenneth Muir, author of The X-Files FAQ, sat down with Tony Black of The X-Cast to discuss all things X-Files. For all The X-Files enthusiasts, this interview is for you. Take a listen below.
The X-Files FAQ: All That’s Left to Know About Global Conspiracy, Aliens, Lazarus Species, and Monsters of the Week explores Chris Carter’s popular 1990s science-fiction TV series, which aired on Fox for nine seasons and inspired spin-offs, including feature films, TV shows, toys, novels, and comic books.
It’s amazing story behind how Chris Carter came to write the foreword for the book. In fact, at the time that he wrote it production was in full swing for the six-episode event series that aired on Fox this past January. John explained how that came to be which was from Chris wishing him happy birthday on social media. He then asked Chris for a blog feature and the rest, as the saying goes, is history. What started out as a simple gesture turned into a foreword for a book from no better person.
The book explores the series in terms of its historical context and analyzes how many of the episodes tackle the events of their time: the Clinton era. The X-Files FAQ also tallies the episodes that are based on true stories, selects touchstone moments from the almost decade-long run, and organizes the series by its fantastic subject matter – from serial killers to aliens, from prehistoric menaces to ethnic and religious-based horrors.
Tony started the interview with asking John his ‘fandom’ questions to his discovery of the show to his favorite characters and episodes. The interview continued with an amazing discussion between two fans going in depth about the various episodes and seasons as well as character development.
The X-Files FAQ allows readers to relive the “Mytharc” conspiracy and the unforgettable monsters of the week – from the Fluke Man to the Peacocks.
This is the sort of book I dreamed of writing about the X-FIles. My only regret is that I couldn’t cover every single episode in depth.
-John Kenneth Muir
Coming soon from Applause Books is The X-Files FAQ! Writer Chris Carter, known for his work on The X-Files and The X-Files ’ cinematic spin-offs, helps contribute to this book by writing the foreword. Read what he had to say below!
As I write this, we are shooting the second episode of the six-episode “event” series that will air on Fox in late January 2016.
It will be the first time the series has aired on TV in fourteen years, and it will be twenty-three years on from the airing of the pilot episode in 1993. That period encompasses about a third of not just my life but the lives of many people who have come back to work on the show now. The comeback could be viewed cynically as an attempt by Fox execs to capitalize on The X-Files “brand,” programming by feather duster, but let me destroy any notion of this from my side of things. Or our side of things, as is the case.
The show was and is a labor of love, and thus a work of art. It takes a great many people working in absolute harmony to create something lasting on television. It is this esprit de corps that makes it all worthwhile. This does not happen accidentally, and I’d like to make it abundantly clear that while I created the show, a great many artistic souls have raised that infant idea into the monster it is today. Beginning with Morgan and Wong, and Gordon and Gansa, in the beginning, Messrs. Spotnitz, Gilligan, and Shiban in the end, the show was protean by nature, including the efforts of writers who came and went and whose contributions are under-sung.
And as you will read in the always impressive and thoughtful musings of John Muir, the writing is only half of it. We work in a visual medium, and the show somehow managed to turn that rectangle box we all viewed each week into something special and often unexpected. The signature qualities of mood and light and perspective can be attributed largely to production design by Michael Nemirski in the pilot, to Graeme Murray and Corey Kaplan on the series, but also to Tom Del Ruth, John Bartley, Jon Joffin, Joel Ransom, and Bill Roe, who lit and photographed it. All under some of the most talented directors and storytellers TV has even known: Rob Bowman, Kim Manners, David Nutter, and R. W. Goodwin. A manager’s dream starting rotation, backed by a bullpen of long and short relievers who stepped in and stepped up. This is not lip service or faint praise. These people helped save my life.
In John Muir’s introduction, I’m quoted as saying, “I didn’t understand what I didn’t understand,” in reference to running the show in the beginning. This is true, but I’d like to put a finer point on that. “I didn’t know what we couldn’t do” is more like it. From the outset, we tried anything and everything we could think of. Met with much resistance, both creative and financial, we managed to do a great many things simply because our imaginations were wilder than the forces trying to tame them. That was also not an accident, and people such as Peter Roth, Ken Horton, Charlie Goldstein, two Jeffs named Eckerly and Glazer, and also Jonathan Littman came to understand we knew what we were doing and rallied in support. Executive Producer R. W. Goodwin was often a convincing voice of reason.
But as I’ve always maintained, none of our good work, artistry, or effort would add up to much if it weren’t for Mulder and Scully. David Duchovny and Gillian Anderson brought, and now continue to bring, power and soul to characters who surprisingly continue to grow. To watch them step back into old shoes and bring something new has been a joy. They and the characters have grown wiser with the years, and as I’m often reminded, adversity is the forge of character.
Not just in them, but in us.
If your a fan of The X-Files, or want to read more, purchase the book over at Applausebooks.com