Courtesy of Music Connection, five lucky people will be given the chance to win the book, Five Star Music Makeover The Independent Artist’s Guide for Singers, Songwriters, Bands, Producers, and Self-Publishers! Music Connection is an online publication that has grown from a popular print publication into a spectrum of products and services that address the wants and needs of musicians, the music tech community and industry support services.
To enter and learn more about the giveaway, click on the link below!
In order to achieve success in today’s music industry, artists must first do a great deal of work on their own. Learning the required skills can take years of real-life experience, and hiring personal coaches, studio professionals, and consultants can be costly. But now, for the first time, there’s an invaluable resource to help you meet these challenges.
Five Star Music Makeover is an engaging all-in-one guide designed specifically for aspiring artists. Written by five experts with over 100 years of collective experience, both on and off the stage, this unique book covers five key skills every musician needs to succeed: (1) improving vocal production/technique; (2) writing memorable and marketable songs; (3) recording your ultimate EP; (4) navigating the publishing world; and (5) promoting music effectively.
Also included are insiders’ stories and anecdotes, helpful tips, creative exercises, celebrity interviews, and all the practical expertise necessary to develop a successful music career. Five Star Music Makeover is a complete and practical career guide – a resource that transforms artists from good to great.
Once again Applause Books has partnered with Erie Gay News to give away a copy of one of our books! If you want to win a copy of The Twilight Zone FAQ all you have to do is enter between January 15 to February 5. The contest is open to US residents only. We wish you all the best of luck, enter before it’s too late!
The Twilight Zone is among the most beloved shows in American television history, a pioneering fantasy behemoth that bridged the cultural gap between the 1950s and 1960s with thought-provoking mystery, mind-boggling theorems, and occasionally outright horror.
The Twilight Zone FAQ: All That’s Left to Know About the Fifth Dimension and Beyond by Dave Thompson takes the reader back to that era, looking back on the show and its impact as a force for societal change, via reflections on the manifold topics and controversies that the show took on – from the space race to the Red Menace, from paranoia to madness and beyond. Thompson traces the history of the show, from its earliest flowering in the mind of then-unknown Rod Serling through its slow birth, shaky beginning, and breathless five-season run. Along the way, he shows how it became the blueprint for so much of the fantasy television that has followed.
Within The Twilight Zone FAQ, fans will read about the comic books, novels, and many other spin-offs, including the movie, the TV revamps, and even the amusement park ride. In addition, Thompson offers a full guide to every episode, providing details on the cast and music and pinpointing both the best and the worst of the series.
As Thompson writes in his introduction, “Today, as much as ever before, The Twilight Zone is one of the yardsticks by which great television of all eras is measured.” The Twilight Zone FAQ is a brightly opinionated time machine that catapults the reader back to the true golden age of American television.
Guitar Player and Rolling Stones Gear have teamed up to give you a chance to Win the Brands of the Rolling Stones! Now you can own some of the major brands of equipment the Rolling Stones played including Fender, Martin, Framus, Zemaitis, Gretsch, and Vox in this exciting new sweepstakes! They are also giving away the new book Rolling Stones Gear: All the Stones’ Instruments from Stage to Studio by Andy Babiuk and Greg Prevost. Now you have a chance to win this stunning Framus bass! Andy and Greg wrote about Bill’s decision to play a Framus in Rolling Stones Gear.
BILL WYMAN’S FRAMUS STAR BASS
During August and September, the group began doing more shows on the ballroom circuit. Crowd hysteria and chaos grew with their popularity. Bill was no longer comfortable using his customized fretless Dallas Tuxedo bass onstage, fearing that it might be damaged or, worse yet, stolen. So, he went to the Art Nash music shop in Penge on September 2 and purchased a Framus Star F5/150 bass. He remembered: “I decided to buy a new bass guitar. I helped finance my purchase by selling my old bass cabinet and amp to Tony Chapman for £25. He had put together a new band with Steve Carroll and some friends. They called themselves the Preachers.”
On why he decided to go with a Framus Star bass, he explained: “I never really settled on anything. About the only thing around at that time that was suitable was a Framus Star—you know, with the big cherry body. I played it upright because it was still quite a long guitar and my arms are short as well. I found it physically easier to stretch up and down than sideways. I played one of those up through 1968. I tried a few Vox guitars, some Gibsons, and various Fenders, because of the sound. The boys always used to say, ‘Why don’t you try a Fender—you get a really good sound and it’s easy to record and all that. I would agree, but I could not play the bloody things. I tried the Mustang, the smaller version, and there were a couple more I can’t remember. I actually did an album with the Mustang, though I can’t remember which one. After that I tried a Gibson for onstage, but the bottom strings were really dull sounding.” He added that, “It was better for what we were doing then. My bass [the Dallas] was wonderful for the blues—you know the real down-home, earthy blues—, because I got a fantastic sound with that. When I went on to the Star Bass, it became more R&B, when the Stones became more R&B as well. I got that in the when we started to do ballrooms. The endorsement came after we started to become popular.”
Bill’s Framus Star F5/150 bass was a single-cutaway, 18-inch wide, thin hollow body with two white-bound ƒ-holes. The bass was finished in a red-to-black sunburst and had white binding, two pickups, and a black pickguard, on which the Framus logo was embossed in white. The white volume and tone controls were mounted directly on the pickguard instead of the body of the bass. The adjustable bridge was made of rosewood, with a Framus trapezes tailpiece engraved with “Star Bass.” The bass was fitted with a very thin, multi-laminated, long-scale, bolt-on neck with a bound rosewood fingerboard and a two-per-side headstock with white plastic-shaft tuning pegs.
Fred Wilfer founded Framus in Germany in 1946, at first concentrating on acoustic instruments. By 1954, Framus had started adding pickups to their guitars and was making thin body, semi-acoustic guitars and basses by 1958. Framus was known for their multi-laminated necks and their unique pickups and electronic designs. With the help of the escalating beat boom, the instruments became very popular and were distributed in Great Britain through the London-based Dallas company.
Bill first used his Framus Star bass on stage the same day he bought it, at Studio 51, the group’s Monday evening residency. He remembered, “That night I used it at Studio 51 and had to admit it was much better than my homemade bass.” He used it for the first time on television when the Stones mimed “Come On” on ABC-TVs “Lucky Stars Summer Spin,” which was filmed on September 8, 1963, and aired on September 14.