John Breglio on WAMC Radio
John Breglio, author of I Wanna Be a Producer, spoke with Joe Donahue host of The Roundtable on WAMC. He spoke about why revivals of Broadway shows work so well, what you can find inside the book, and lots more! Click on the link below to listen to the full interview and let us know what you think!
What does a producer actually do? How does one travel from that great idea for a show to a smash hit opening night on Broadway? In I Wanna Be a Producer: How to Make a Killing on Broadway…or Get Killed (April 2016, Applause Books, $29.99), John Breglio – a Broadway veteran with more than 40 years experience – shares an exceptional road map for the hows and wherefores, the dos and don’ts of producing a Broadway play. In this highly informative book, Breglio offers practical concepts for the aspiring producer and entertains with great personal anecdotes from his illustrious career as a leading theatrical lawyer and producer.
Breglio recounts not only his first-hand knowledge of the crucial legal and business issues faced by a producer, but also his experiences behind-the-scenes with literally hundreds of producers, playwrights, composers, and directors, including such theatre luminaries as Michael Bennett, Joe Papp, Stephen Sondheim, Andrew Lloyd Webber, Patti Lupone, August Wilson, and Mel Brooks.
Says Breglio, “Ultimately, my goal is to give the business of producing the respect it deserves. It is a profession that requires numerous skills, both business and creative. It demands relentless fortitude and optimism, and it should never be assumed casually without recognizing the enormity of the task.”
Working or aspiring producers, investors, directors, actors, designers, teachers — as well as those who are simply curious about the backstage reality of the theater — will relish John Breglio’s sage advice and irresistible storytelling. They’ll also treasure the included DVD of Every Little Step, a documentary of the auditions for the 2006 Broadway revival of A Chorus Line.
I Wanna Be a Producer is indispensable reading for theater professionals and fans of all levels – from high school drama clubs to college theater programs, from community theater groups and summer stock to The Great White Way.