How an Entertainment Lawyer Became a Broadway Producer
John Breglio, author of I Wanna Be a Producer, was once an entertainment lawyer before he became best known for his critically acclaimed revival of A Chorus Line and Dreamgirls. In this featured article below from Playbill, they take a look at John Breglio’s book and “making a career change if you’re willing to take a leap”. Read a snippet below to learn more.
John Breglio, one of the toughest and savviest theatrical attorneys on Broadway, decided to take down his shingle a decade ago to become, of all things, a Broadway producer.
A man who once sat behind the creators at the table on shows including A Chorus Line, Nine, Fences, Dreamgirls, The Elephant Man and Sunset Boulevard, to name just a few, now sits at the head of the table.
In life, he says, “You have to be willing to take that leap.” He must firmly believe that, as he is leaping once again into uncertain waters as a first-time author. His book, I Wanna Be A Producer: How to Make a Killing on Broadway… or Get Killed, is equal parts autobiography, textbook and showbiz tell-all.
Those who get bitten by the theatre bug generally remember the precise moment that its mandibles sank in. For Breglio, the moment came at age nine, when he was hypnotized by Gwen Verdon in her Tony-winning role as Lola in Damn Yankees, singing the erotically charged “Whatever Lola Wants, Lola Gets.”
The electricity of that moment carried him through law school and into his entertainment law career. There are so many things that people speculate about in show business, like what really happened between Patti LuPone and Andrew Lloyd Webber during the fateful transfer of the musical Sunset Boulevard from London to Broadway. Or what exactly was the deal Michael Bennett struck to give members of the original cast of A Chorus Line a share of the profits. Breglio helped craft those deals, and is able to pull back the curtain on their mysteries, setting the record straight.
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