Review: I Wanna Be a Producer
The newly released book, I Wanna Be a Producer, written by John Breglio has received a rave review from Center On The Aisle or COTA for short. COTA is all about providing current and future fans of the theater with accessible information about shows, be it on-Broadway, off-Broadway or out of town. Here is what COTA writer Adam Cohen had to say about the book.
So, it’s the mid-1980s and you’re in the balcony of the Shubert Theatre taking in A Chorus Line with your mother, after waiting on the TKTS line in Duffy Square, wondering “how did they do that?” The lights, costumes, and performers in perfect synchronicity entertaining over a thousand people per performance eight times a week. Then the thought strikes, how do you become a producer and make tons of money (a rarity, sadly in theater), go to fabulous parties, and have opening night seats? John Breglio answers much of this in his new book, I Wanna Be A Producer – How to Make a Killing On Broadway… Or Get Killed.
The book is a quasi-memoir of his years serving as an entertainment lawyer with clients like Michael Bennett (director, A Chorus Line and Dreamgirls) and Allan Carr (La Cage Aux Folles). Breglio sprinkles in real-life anecdotes, which detail the creation of these seminal Broadway productions, along with some not so distinctive ones, while also covering the details of how to become a producer. It is literally the book to get if you want to invest or create a first class production. Having served several decades as the lead partner at Paul | Weiss, Breglio clearly knows his stuff. He details every aspect of creating a theatrical production from securing rights, royalties, agreements, sourcing investments, production staff, and even the opening night party.
This is a detailed, specific book that should be the handbook for anyone considering a production career in the theater. He nicely and satisfyingly opens the book with his own experience as a boy seeing Damn Yankees and transitions to the creation of La Cage Aux Folles. The balance between anecdotes serves as a means of providing real practical history to emphasize the importance of each step in becoming a producer.
It leavens the hard truths and multitude of steps necessary to protect each party involved in the creative process – especially the one funding it.
Read the full review HERE.