John Breglio Talks Producing with Backstage
Next Tuesday, John Breglio shares the dos and don’ts and the hows and wherefores of being a Broadway producer in his news release from Applause Theatre & Cinema Books, I Wanna Be a Producer. Breglio’s production credits include the 2006 revival of A Chorus Line and the 2008 prodcution of Dreamgirls at the Apollo Theater and in this interview with Backstage magazine, he shares some of his lessons learned.
John Breglio went from entertainment lawyer to successful Broadway producer. Now he’s sharing advice gleaned from a decades-long career in theater in his new book, “I Wanna Be a Producer: How to Make a Killing on Broadway… or Get Killed.”
Why did you want to write this book?
I decided it might be helpful to put instructions on how to produce a play from the idea to opening night in one place. I also give real, live stories of what I went through with my clients, everything from getting the rights to marketing and advertising to getting the show up and running.
Why make the switch to producer from entertainment lawyer?
I was a shadow producer. I woke up one day and thought, I could do this myself. I’m closely associated with “A Chorus Line.” Michael Bennett was a very good friend of mine. When I was producing the revival, I noticed there was a line where Cassie says, “I’m tired of teaching others what I should be doing myself.” I heard that line and said, “You know what? That’s how I feel.”
Read the rest of the interview at backstage.com!