Don Randi Interviewed on the Cue Castanets Blog

Don Randi, author of the upcoming book You’ve Heard These Hands, recently visited Cue Castanets!, a blog dedicated to “Musings on Phil Spector’s Wall of Sound and similar music.” Randi talks about his upcoming book and also about his many hours in the studio with Spector.


00140980Don, first off; do you remember what was your very first session with Phil Spector? Were you already onboard at his first LA session, ‘He’s a Rebel’ in 1962, with what would be become known as the Wrecking Crew?

We were actually called the Wall of Sound. We weren’t the Wrecking Crew yet – the Wrecking Crew name came three years later, maybe four years later. Originally, we were the Wall of Sound – for Phil – that was the sound the other producers wanted. That made us so in demand. And I think the first record was ‘He’s a Rebel’, – that was right at the beginning of me recording with Phil.

I was hired by sax player, Steve Douglas. Steve, who went to high school with Phil, actually introduced me to Phil Spector a few years before that recording session. And I knew Steve Douglas because he played with me occasionally in a jazz band that I had.

How did Spector in general strike you in the studio? I’ve heard that he worked you guys hard, letting you play on and on for hours before recording actual takes?

Yes, he did work us really hard. I would love to say I was the only piano player but there were three or four of us, and sometimes five! Sometimes only two, but most of the time there were three or four of us playing piano; five guitar players, two basses – one acoustic and one electric bass, one drummer and some percussion. And then of course the horns. So it was interesting because that was basically the band and we all fit in one room at Gold Star Studios.

Is it true what Hal Blaine writes in his book about Spector always letting the tape roll while you guys were warming up before actually recording takes? If so, there must be tons of tapes in the Spector tape vault.

I don’t think he let it run all the time, it was not a constant thing. I know he had tape echo running along with the Gold Star echo chamber but I don’t think there was another tape running.

A few session takes has been floating around amongst collectors. They give the impression that there was a good, friendly vibe on those sessions, jokes flying back and forth?

Oh absolutely! That was the start of us getting called the “Wrecking Crew.” The tag meant the guys in the session were always messing around, “Be careful, or they’ll wreck your date!” Which happened later on because we would take time-outs. We had to! We would just have to lighten it up because we were working so hard. Especially with Phil! And not a lot of people realize that he appreciated a great joke too. Phil was one of us.


Check out the rest of the interview over at Cue Castanets blog!

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About HLPAPG

Hal Leonard Performing Arts Publishing Group, the trade book division of Hal Leonard Corporations, publishes books on the performing arts under the imprints Hal Leonard Books, Backbeat Books, Amadeus Press, and Applause Theatre and Cinema Books.

Posted on August 13, 2015, in Music Fans and tagged , , . Bookmark the permalink. Leave a comment.

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