Rock-n-Roll.biz Interview with Peter Aaron
In a recent interview, Rock-n-Roll.biz spoke with Peter Aaron about the multi-faceted nature of musician as an artist:
Rock-n-Roll.biz: You also wrote a book about Ramones? I grew up in Forest Hills where Ramones started out and I could tell you I understand the angst and ferociousness of their music to the core. Why did you decide to embark on this project?
I did. Sort of. It’s more of a book about stuff that relates to the Ramones. It’s called If You Like the Ramones… and was published last year by Backbeat Books as part of the If You Like series. I was in negotiations about doing a book for the series—originally I was going to do If You Like Frank Sinatra…, but Backbeat ran into legal problems with the Sinatra estate and took that project off the table—and the idea of a Ramones book came up, so I jumped on it. In keeping with the IYL concept, the aim is to steer new fans toward the artists and other entities (certain movies, cartoons, comic books, TV shows, etc.) that influenced the Ramones, were influenced by the Ramones, or are connected with the Ramones in some way. Obviously it mostly targets neophytes, but I did try to cover some stuff that even long-time fans might not know about.
Rock-n-Roll.biz: How important is it for a musician to get out of the music world and focus his energies elsewhere? Is it for sanity’s sake or mere detachment?
Very. The music world is like the Island of Misfit Toys. It’s a sanctuary for musician-freaks like me, who was never going to fit into the general population. And yet the music world, especially the underground music scene, is a bubble, an alternate reality that we’ve created to escape the insanity of mainstream society. I don’t at all advocate joining the masses, but I do believe it’s healthy to keep things in perspective by venturing outside your comfort zone and challenging yourself at least once in a while. I can’t help but think of all the interesting music, art, ideas, and people I would have missed had I remained stuck in the same New York rock scene I inhabited in the 1990s—which, from what I can tell, continues to be a largely tail-swallowing environment. Not only does trying new things make you grow as a person, but as a musician it makes what you do richer and more interesting.
Rock-n-Roll.biz: Are there any other arts you are dabbling with? Any more books on the horizon?
Right now I’m working another book for Backbeat, The Band FAQ. It’s for their FAQ series, which is more in-depth than the recently discontinued If You Like series. So this one will cover everything connected with the Band and dig more deeply into topics connected with them—the music that influenced the Band and has been influenced by them, but also their history collectively and as individual members; examinations of each of their albums; their time as Ronnie Hawkins’s band, the Hawks; outside figures associated with the group; The Basement Tapes and their years with Bob Dylan; solo albums; their contemporaries and collaborators; their best and worst music; the Toronto and Woodstock scenes they were part of; books; movies; etc., etc. Since I’ve lived in the area that gave birth to Music from Big Pink and The Basement Tapes for over a decade, have covered the local music scene for both the main area newspaper and the arts magazine Chronogram (of which I’ve been the music editor since 2006), and even got to interview Levon Helm, I’m kind of sitting right in the bullseye for this one. I’m also planning an illustrated anthology of the many profiles of Hudson Valley musicians I’ve written over the years, which includes everyone from the Bad Brains to Pete Seeger, Sonny Rollins, Graham Parker, Pauline Oliveros, and others. And of course I’d like to write a memoir, which in addition to my time in the Chrome Cranks and the ’90s Lower East Side scene would cover my participation at the start of the East Coast hardcore scene, my years in the 1980s Boston and Midwest scenes—I was a promoter when I lived in Ohio and booked most of the touring underground bands of the day (Nirvana, Flaming Lips, Pussy Galore, etc.)—and perhaps some of the Hudson Valley stuff.
Check out the rest of the Rock-n-Roll.biz interview with Peter Aaron here: http://rock-n-roll.biz/multifaceted-nature-musician-artist-interview-peter-aaron-chrome-cranks/