A True Acting Tip from Larry Silverberg
Posted by HLPAPG
Larry Silverberg’s True Acting Tips has become a favorite amongst acting teachers, being used in their classrooms to generate a true conversation about the craft of acting. Larry, known worldwide as a master teacher of the Meisner Approach to acting, has written a book that instigates an exploration of the fundamental roots of human creation and the demands of entering the path towards acting with humanity and soul. Larry, Director of the True Acting Institute (www.trueactinginstitute.com) has trained tousands of actors and acting teachers around the globe and he is the Master Teacher of Acting at renowned Shenandoah University Conservatory of the Arts. Here now, a new “True Acting Tip of the Day” just for you!
Larry’s True Acting Tip of the Day
This morning, I read a lesson from the wonderful teacher, Pema Chodron and I thought of you dear readers and your interest in this thing I am calling “True Acting.” It has become clear to me over the years of working and teaching that the most resistant barrier to great acting is not an acting issue at all, it is a human one. Pema says it in this way, “…to remain open to the present groundless moment, to a direct, unarmored participation with our experience. We are certainly not being asked to trust that everything is going to be all right. Moving in the direction of nothing to hold on to is daring. We will not initially experience it as a thrilling, alive, wonderful way to be. How many of us feel ready to interrupt our habitual patterns, our almost instinctual ways of getting comfortable?”
How simple and profound these words, “Moving in the direction of nothing left to hold on to.” This reminds me of something I heard Rudolf Nureyev say many years ago. He told our group that right before every performance, he would work himself out to the point of exhaustion and then, in the performance of the dance, he would have nothing left to hang on to and he would SOAR!” Yes! And that is exactly the point, to soar in your acting! This is the thing… to move beyond your old, habitual ways of being, to shift the frozen, stuck, protective armor of the mind to the side so that your creative self can function. My friends, this is no small matter and will demand a complete commitment and a relentless pursuit. The DESIRE to enter this particular domain, the land of “nothing left to hang on to” is something no one can give to you – not your mother, not your teacher, not your guru – and only you know if it is of true interest to you. But I can tell you clearly, until an actor walks that ground, his work will remain pedestrian and uninspired.