Monday Night is Wagner Night
Happy Monday! Below is an excerpt from Richard Wagner: The Lighter Side, by Terry Quinn.
Monday Night Is Wagner Night
Concerts devoted exclusively to Wagner’s music are a rarity these days, but at the end of the nineteenth century they were popular weekly events in England. The weekly “Monday Night Is Wagner Night” tradition started in 1873 in the Hanover Square Rooms. The Wagner Society sponsored the concerts with Edward Dannreuther, its founder, as conductor. The Monday-night tradition switched to the new Queen’s Hall when it opened in 1893. The Queen’s Hall Orchestra was founded in 1893 under the direction of Henry Wood; and their first public concert started with the Rienzi overture. Three years later the promenade concerts adopted the theme-night idea. Monday was Wagner Night, Tuesday was devoted to Arthur Sullivan, Wednesday was classical night, Thursday was Franz Schubert only, and Friday night was classical night. Saturday was promoted as popular night.
In addition to Henry Wood, prominent conductors who led the Wagner Monday-night concerts included Hermann Levi (the first conductor of Parsifal), Hans Richter (the first conductor of The Ring), George Henschel, Felix Mottl, and the then-twenty-five-year-old Siegfried Wagner.
Queen’s Hall, on Langham Place, was destroyed by an incendiary bomb in December 1940.
Richard Wagner: The Lighter Side appeals to classical music and opera enthusiasts in general, but particularly the many thousands of members of the 135 Wagner Societies around the world. There are many books about every aspect of Wagner’s life and works, but none has focused on the trivia, the interesting facts, anecdotes, and quotations about the man and his operas. For more than twenty years, Terry Quinn has collected information on each of Wagner’s 13 completed operas and the difficulties encountered in staging them; famous Wagnerian directors, conductors, and singers; key persons in the composer’s life, especially the women, not to mention the dysfunctional Wagner family; Wagner’s visits to London; the festival and theater he created in Bavaria; and a great deal more. Also included are interviews with current Wagnerian scholars.
Richard Wagner: The Lighter Side contains more than 300 tidbits and features, ranging from a few paragraphs to several pages. The light side of the book is immediately apparent via its lively headings, as well as its fascinating tales of the fanatical enthusiasts who travel the world to see Wagner’s operas performed.
Illustrations include photographs, dozens of contemporary caricatures, beautiful postage stamps on Wagnerian subjects, and other reproductions of ephemera.
Posted on February 24, 2014, in Classical & Opera, Music Fans and tagged Amadeus Press, excerpt, richard wagner, Richard Wagner: The Lighter Side, terry quinn, Wagner Society. Bookmark the permalink. Leave a comment.