Sherlock Holmes FAQ

On January 19th, PBS aired the long-awaited first episode of BBC’s Sherlock, season 3. Sherlock’s triumphant return to television (and Baker Street) did not disappoint. Before the last episode this Sunday, enjoy a bit of the Introduction from Dave Thompson’s upcoming book, Sherlock Holmes FAQ: All That’s Left to Know About the World’s Greatest Private Detective

There are probably as many books about Sherlock Holmes as there are words in all of the stories. Or at least different words.

That may be an exaggeration, but only marginally. There is no single character in western fiction who has inspired more authors to write about him than Sherlock Holmes, with even James Bond and Doctor Who—the two that come closest—lagging far, far behind in terms of simple shelf filling. A complete Sherlock Holmes bibliography could fill a small library, a vision that is made all the more remarkable when one considers that the original stories that inspired this phenomenal outpouring would take up barely six inches of shelf space.

Just four novels and fifty-six short stories constitute the complete adventures of Sherlock Holmes. To this there can be added a dozen or so other writings by Sherlock Holmes’s creator, Arthur Conan Doyle, whose inclusion in, or exclusion from, “the canon” (as the primary series of tales is known) has fired a debate that might never end. But they would add no more than another inch of published paper, tucked away in a room that is already stuffed with so many other books that it would take a lifetime to read them all. “Never,” one might say, “has so little given birth to so much.”

Neither does this outpouring look like it is ending. The massive success of Sherlock, the BBC’s twenty-first-century reimagining of Holmes has inspired a whole new generation of writers and researchers to immerse themselves in the world of Holmes, and an older one to reacquaint themselves. Indeed, one of the most popular fiction serials of the modern age, Douglas Preston and Lincoln Child’s Agent Pendergast, closed 2013 with the publication of White Fire, a thoroughly modern detective tale rooted in a near century-old Sherlock Holmes mystery.

Sherlock’s triumph, however, transcends all of these—that triumph itself being defined not by viewing figures (which themselves are massive) or popularity (ditto), but by the skill with which we are invited to enter a world in which the “real” Sherlock Holmes, the classic Holmes whom we have spent the past century-plus enjoying, never existed. Until today.

The original Holmes was a child of his times, the last years of the Victorian era and the first of the twentieth century. The modern Holmes is likewise a child of his times, the first decades of the twenty-first century. That is, more than one hundred years after Conan Doyle’s original stalked the streets, the intervening century has shaped the modern Holmes just as thoroughly as the prototype was shaped by the years that preceded him. Culture creates the heroes it requires. Conan Doyle’s Sherlock Holmes fit his era like a glove. British writers and TV creators Steven Moffat and Mark Gatiss’s is equally well proportioned.

Conan Doyle’s Holmes studied newspapers and magazines. The modern one harnesses the Internet. The original Holmes was addicted to opium. His successor is addicted to nicotine. The original was partnered by an army doctor, John Watson, recently returned from what was then Britain’s most recent war, far away in Afghanistan. Today’s Holmes is partnered by a man of the same cut and same name, fresh from what is still Britain’s most recent war . . . far away in Afghanistan.

Parallel after parallel pile up, but the fact is, the modern television Holmes is as unique a televisual character as the original was a unique literary creation. The fact that they share the same DNA, investigate the same mysteries, and sometimes speak the same lines binds them, of course. But it also defines their individuality. Were they ever to meet face to face, the nineteenth-century Holmes and his twenty-first-century doppelgänger, they probably wouldn’t even say hello.

Sherlock Holmes FAQ

The Sherlock Holmes FAQ is a one-stop guide to over a century’s worth of mystery, mayhem, and most of all, deduction. Digging deep inside the manifold worlds of Sherlock Holmes, the FAQ is a dramatic and detailed digest of the Baker Street sleuth in all of his many guises, as TV and radio star, movie phenomenon, and, of course, literary giant.

Chapters investigate his predecessors and his successors, and discuss the influence that Holmes has had not only on other writers, but on real-life police procedures as well. The London that he perambulated in deerstalker and cloak is laid bare, plus the life and other fascinations of Holmes’ creator, Sir Arthur Conan Doyle, are mapped out in all their foggy, darkened atmosphere.

We meet giant hounds and fearful foes, common crooks and misdirected souls. Ghosts appear in these pages, and vampires, too – and more puzzles, conundrums, and mysteries than any mortal detective could ever hope to solve. But Holmes, as we shall see, was no mere mortal. And Sherlock Holmes FAQ is the story of his immortality.



Hal Leonard Performing Arts Publishing Group, the trade book division of Hal Leonard Corporations, publishes books on the performing arts under the imprints Hal Leonard Books, Backbeat Books, Amadeus Press, and Applause Theatre and Cinema Books.

Posted on January 31, 2014, in Film & TV and tagged , , , , , , , , , . Bookmark the permalink. Leave a comment.

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