Today is the premiere of the HD broadcast of Tosca by the Metropolitan Opera! The complete libretto of Puccini’s Tosca, published by Amadeus Press, is also being released in conjunction with the event. Below is Peter Gelb’s introduction to the libretto.
With nearly a thousand performances since its 1901 company premiere, Puccini’s Tosca is one of the most-performed works in Metropolitan Opera history, currently ranking fifth on the all-time list (behind just Aida, Carmen, La Traviata, and, in the top spot, the composer’s own La Bohème). The opera’s enduring appeal is not hard to understand. Tosca offers a captivating heroine, gripping melodrama, and some of the most powerful and instantly recognizable arias in opera, from the painter Cavaradossi’s “E lucevan le stelle” to the villain Scarpia’s “Te Deum” to the heroine’s indestructible “Vissi d’arte.” A prime example of verismo opera, Tosca functions as a kind of operatic thriller, a juggernaut that doesn’t let up from the very first chords until the curtain comes down. (In the article “Thrill Ride,” featured in this guide, Met Music Director James Levine compares Tosca to a Hitchcock film.)
This first volume of the Metropolitan Opera Presents series aims to give readers a 360-degree view of Puccini’s timeless drama. In addition to the complete libretto, we’ve included a synopsis, a detailed program note with musicological background, and the “In Focus” feature we offer each night in the Met’s house program—a quick, easy primer intended to provide the essentials for a given opera in a format that audiences can absorb easily in the minutes before the curtain goes up. We’ve also featured a number of archival photographs of Tosca throughout its century-plus history at the Met. Whether you experience Tosca at the Met, through our Live in HD movie theater transmissions, on the radio, or online, we hope this guide gives you all the background you need to appreciate this Puccini masterpiece to the fullest.
An idealistic artist, a celebrated opera singer, and a corrupt police chief engage in a fierce battle of wills in this tempestuous tale of passion, intrigue, cruelty, and deception. Puccini’s great melodrama may be set in 1800, amid the Napoleonic wars, but the conflicts between love and loyalty, the state and the individual, and hypocrisy and principle are anything but dated. Floria Tosca, the beautiful, glamorous singer who has all Rome at her feet, is one of the iconic soprano roles in the Italian repertoire. She’s caught between two men-her lover, the handsome painter Cavaradossi, who defies the law to hide a rebel friend; and the villainous Baron Scarpia, Rome’s all-powerful chief of police, who will stop at nothing to crush the rebels and conquer Tosca for himself. This gripping story of torture, attempted rape, murder, suicide, and general mayhem is as thrilling and dramatic as anything seen on the operatic stage.
Posted on November 9, 2013, in Classical & Opera, Theatre and tagged Amadeus Press, excerpt, Giuseppe Giacosa, libretto, Luigi Illica, opera, Peter Gelb, Puccini, The Metropolitan Opera, Tosca. Bookmark the permalink. 1 Comment.