How My Cello Found Me

Guest Blogger: Janet Horvath, author of Playing Less Hurt. Below is an excerpt from her blog on Interlude.

My Cello and Me — We Were Made for Each Other

I was smitten from the first moment. Finding an instrument is like finding your soul mate — you know it instantly.

I was twenty- two- years old and had just been accepted to Janos Starker’s elite class at Indiana University. My parents understood that I needed a better instrument. With trepidation they sent me to New York with a long list of dealers to see. (The only reason they even considered the idea was that my aunt lived in New York. I would stay with her.)

I decided to start at the top — why not? I happily traipsed to the famed dealership Jacques Français known to have the best selection of quality instruments. He was elegantly French — over six feet tall, impeccably dressed and haughty. A vast carpeted showroom appeared before me. The walls were lined with instruments and virtually all the small rooms to try them were filled to overflowing. Well that didn’t stop me. I introduced myself unabashedly to Mr. Français saying I wanted to try cellos — telling him a price-range that was higher than my parents intended.

Français brought me several cellos. I grabbed a chair, parked myself in the enormous anteroom and started to play. The place was packed — what else could I do? The first instrument I tried — Italian, honey colored, with a rich golden tone to match — was the one.

Keep reading on Interlude

Making music at any level is a powerful gift. While musicians have endless resources for learning the basics of their instruments and the theory of music, few books have explored the other subtleties and complexities that musicians face in their quest to play with ease and skill. The demands of solitary practice, hectic rehearsal schedules, challenging repertoire, performance pressures, awkward postures, and other physical strains have left a trail of injured, hearing-impaired, and frustrated musicians who have had few resources to guide them.

Playing Less Hurt addresses this need with specific tools to avoid and alleviate injury. Impressively researched, the book is invaluable not only to musicians, but also to the coaches and medical professionals who work with them. Everyone from dentists to orthopedists, audiologists to neurologists, massage therapists and trainers will benefit from Janet Horvath’s coherent account of the physiology and psyche of a practicing musician. Writing with knowledge, sympathetic insight, humor, and aplomb, Horvath has created an essential resource for all musicians who want to play better and feel better.



Hal Leonard Performing Arts Publishing Group, the trade book division of Hal Leonard Corporations, publishes books on the performing arts under the imprints Hal Leonard Books, Backbeat Books, Amadeus Press, and Applause Theatre and Cinema Books.

Posted on September 24, 2013, in Music Fans and tagged , , , , , , . Bookmark the permalink. Leave a comment.

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