Best of Breed
One of the problems within popular music is the alarmingly short public memory toward legends. I remember being upset that no one was paying any attention to Ray Charles, one of my idols, throughout the 80s. Thankfully, the public rediscovered him, but the world’s stages are full of musicians who deserve more focus than they’re getting today.
None more than The Bobs.
In the early 1980s, there were very few professional a cappella groups, and many of those had a sound and style reminiscent of doo wop. Not so when Gunnar Madsen assembled some singers from the Western Onion Singing Telegram Company and searched the local scene for a bass (which they found in Richard Greene, best known to locals as the voice behind the “Fall in-to the Gap” radio ads.
The quartet was offbeat and perhaps even off-balance, with 3 guys and 1 woman (an unusual combination, even today) plus a small synthesizer in their early shows at the Great American Music Hall. Doesn’t sound like an a cappella group, does it? That’s because they didn’t care. It wasn’t about trying to do something that had been done, but rather blazing their own path in a music scene (think new wave and early 80s pop) that was coming to terms with the integration of technology into music.
Keep reading at CASA.org!
The world loves to sing. From barbershop groups to madrigal choirs to vocal rock bands, there are tens of thousands of vocal groups in America. The success of mainstream television programs such as Glee and The Sing-Off not only demonstrates the rising popularity of vocal music; it reflects how current trends inspire others to join in. In addition, through various online and on-the-ground vocal music societies, the “a cappella market” is well defined and well connected. Like singing itself, a cappella is a global phenomenon.
At the heart of every vocal group is the music it performs. This often means writing its own arrangements of popular or traditional songs. This book is the long-awaited definitive work on the subject, wide ranging both in its scope and in its target audience – which spans beginners, music students, and community groups to professional and semi-professional performers, vocal/instrumental songwriters, composers, and producers – providing genre-specific insight on a cappella writing.
The tone of the book is instructive and informative, yet conversational: it is intended to stand alongside any academic publication while remaining interesting and fun. A Cappella Arranging is a good textbook – and a “good read” – for every vocal arranger, whether amateur or professional; every vocal music classroom, and any professional recording studio.
Posted on August 5, 2013, in Music Fans and tagged a capella, a capella arranging, a capella group, Best of Breed, Deke Sharon, Hal Leonard Books, musicians, The Bobs. Bookmark the permalink. Leave a comment.