How to Write Your First A Cappella Song

deke4Guest Blogger: Deke Sharon is the co-author (with Dylan Bell) of A Cappella Arranging. The following is an excerpt from his blog on Casa.org. Check it out for tips on how to write an a cappella song.

There are endless books on the market about how to write a song, so I’m not going to go into depth. A brief web search will come up with many opinions, perspectives, techniques, models and best practices.

To these, I offer my own tidbits of advice to the first-time a cappella songwriter:

* Write what you know: Pick something meaningful to you that happened, be it an experience, a feeling, a journey, a moment. Do not make the mistake of trying to be clever, as that will be annoying. Do not try to write a general love song, as that will be unfocused. Do not try to write the greatest pop song ever, as you’ll collapse under the weight. Just as an essayist should have a thesis she knows about, make something small and personal and real.

* Write with emotion: You’re telling a story with this song, and as such the emotional content should be reinforced in your musical and lyrical choices. If you don’t care about the song neither will your audience.

* Write for yourself: Don’t start writing for other members of your group. Write for yourself. You might find it scary, but you are the one to sing this solo, so put the melody in your range, put the words in your voice. There’s no one and nothing to hide behind, and there shouldn’t be.

* Keep it simple, keep it short: There is a place for poetry and a place for epic scope. Your first song is almost certainly not that place, just as you should start by writing a short story before you write a novel. Less is more.

For the rest of the blog post, go to Casa.org!

The world loves to sing. From barbershop groups to madrigal choirs to vocal rock bands, there are tens of thousands of vocal groups in America. The success of mainstream television programs such as Glee and The Sing-Off not only demonstrates the rising popularity of vocal music; it reflects how current trends inspire others to join in. In addition, through various online and on-the-ground vocal music societies, the “a cappella market” is well defined and well connected. Like singing itself, a cappella is a global phenomenon.

At the heart of every vocal group is the music it performs. This often means writing its own arrangements of popular or traditional songs. This book is the long-awaited definitive work on the subject, wide ranging both in its scope and in its target audience – which spans beginners, music students, and community groups to professional and semi-professional performers, vocal/instrumental songwriters, composers, and producers – providing genre-specific insight on a cappella writing.

The tone of the book is instructive and informative, yet conversational: it is intended to stand alongside any academic publication while remaining interesting and fun. A Cappella Arranging is a good textbook – and a “good read” – for every vocal arranger, whether amateur or professional; every vocal music classroom, and any professional recording studio.

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About HLPAPG

Hal Leonard Performing Arts Publishing Group, the trade book division of Hal Leonard Corporations, publishes books on the performing arts under the imprints Hal Leonard Books, Backbeat Books, Amadeus Press, and Applause Theatre and Cinema Books.

Posted on June 27, 2013, in Music Industry and tagged , , , , , , , . Bookmark the permalink. 1 Comment.

  1. Deke- You are right on with the suggestion to write for yourself! When I am truly objective and write to please myself I know that someone out there will connect with it and love it! Thanks for your helpful blog!

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