Happy Birthday to Prince!

Prince is 52 years old today. To celebrate his birthday, enjoy an excerpt from Purple Rain by John Kenneth Muir. The passage deals with Albert Magnoli’s first encounter with Prince before agreeing to direct the rock musical drama film Purple Rain.

Then Magnoli was taken to actually meet with Prince. In a hotel lobby, Magnoli first met Chick, Prince’s legendary, Nordic bodyguard, whom Magnoli described as a very “tall, Viking-looking person,” and then went off to a corner to observe the dynamics of the situation.

“To my right were the elevator doors,” Magnoli explains. “To my left, across the lobby, was the front door of the building, where Steve [Fargnoli] and Chick were positioned. Then the doors opened at the crack of midnight sharp and out walks Prince by himself.

“Because he didn’t know who I was, he didn’t see me. He saw Chick and Steve at the end of the hall and walked to them, which allowed me to do a right-to-left pan with Prince, unencumbered by him knowing I was looking at him. As a result, I ended up filling [in] the whole story based on him walking across the lobby. Because what I saw was extreme vulnerability, in spite all of the bluster and the costume and the music. This was a vulnerable young man. I saw all the heart and soul. I saw all the emotional stuff. I saw the tragedy of his upbringing. I just saw stuff and felt stuff that filled in the three-act story.”

Together, Prince, Magnoli, Cavallo, Farnoli, and Chick went to a working dinner. “I was looking at Prince and I could tell he didn’t like being looked at,” Magnoli says. “He’s very shy. Everybody ordered food, and as soon as the waitress left, Prince looked at me sand said, ‘Okay, how did you like my script?’

“I realized a few things there. One, he said, ‘my script,’ which meant he had personally invested himself in whatever it was that William Blinn had written. And two, he hadn’t been told anything that I felt about it.”

“The words that came out of my mouth were the following: ‘Well, I think it sucked.’”

Magnoli pauses for dramatic effect. “At that moment, Steve dropped his head, Chick leaned closer to me, and Prince looked startled. Then I could see him thinking and what he was thinking was: ‘I wasn’t told this before this meeting was to take place. Why wasn’t I told? Then he looked toward Steve, because obviously Steve had told him nothing. That look to Steve took about three seconds, but it was telling to me, because I saw now how the operation worked. He had been kept in the dark about this.”

“So then Prince looked back to me and said, ‘Why does it suck?’ And I said, ‘You know what, it’s not important why, but here’s what we can do about it. Let me tell you the story.’ So now, with even more passion, because I have more information now that I’m looking at this kid, I told this story.

“There was five seconds of silence. Then he looked at Steve and said, ‘Why don’t you take Chick and go home.’ Then he looked at me and said, ‘Why don’t you come with me?’ ‘I’m just going to take Al for a ride.’”

Not knowing exactly what was going to happen, Magnoli remembers feeling a little uncertain. Had he offended Prince? Had he made him angry?

“We got in his car; he got behind the wheel, I got into the passenger’s seat, and he took off fast,” Magnoli notes. “The next thing I knew, we were driving in pitch-black darkness, [with] not a light in sight. I had no idea where we were. It looked like we were driving in a black tube. A day later I realized we were in horizon-to-horizon farmland, but there were no lights. So I was thinking, he didn’t like the story…and now I’m dead. I can die right now. And no one will know…”

This nighttime ride was not the beginning of a murder plot, however, but the start of a very fruitful working relationship for Magnoli and Prince. Even though the story Magnoli had recounted involved the lead character (Prince himself, hereafter called “The Kid”) being at odds with his parents, his bandmates, and even his girlfriend, Prince never once flinched from a warts-and-all, three-dimensional presentation.

Purple Rain

In the summer of 1984, a small, low-budget film came out of nowhere and unexpectedly debuted at the number one slot at the box office, unseating reigning champion Ghostbusters and making its star, Prince, a household name. By the end of the year, the film was a multiple-award winner, a trend setter in terms of fashion, and recognized on many prominent critical “top ten” lists. Purple Rain: Music on Film explores in detail the behind-the-scenes struggles and triumphs of the film’s making, from the trouble casting a female lead to star opposite Prince, to concerns that the movie’s urban vibe and sound wouldn’t play in Peoria. Featuring extensive new interviews with the film’s director, producer, and assistant editor, Purple Rain reveals a 1980s cult-classic as you’ve never seen, heard or experienced it before. Let’s go crazy…



Hal Leonard Performing Arts Publishing Group, the trade book division of Hal Leonard Corporations, publishes books on the performing arts under the imprints Hal Leonard Books, Backbeat Books, Amadeus Press, and Applause Theatre and Cinema Books.

Posted on June 7, 2013, in Film & TV, Music Fans and tagged , , , , , , , , . Bookmark the permalink. Leave a comment.

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