Q & A with Gary J. Jucha
In the introduction to the book you give a great account of how you first began to pursue the music of Hendrix. What inspired you to write the book?
Frankly I was asked by Robert Rodriguez the FAQ Series Editor if I was interested in possibly writing a book for Backbeat. He had seen a piece I wrote about The Clash at my old website and contacted me. At the time, I didn’t know he meant a book for his FAQ series and so – 9 being my favorite number – I sent him a list of 9 music related titles on subjects that I thought would make good books and that I could write better than anybody.
I can’t remember all of them but I do remember suggesting The Clash in America, which would solely focus on The Clash’s concerts and recording sessions in America as well as their cultural impact on the country they had been bored with, and Jimi Hendrix: The Posthumous Years. I believe that as timeless as the three Jimi Hendrix Experience studio albums are, that it his posthumous recordings that have really contributed to his enduring fame. We had some back and forth discussions and that resulted in me writing Jimi Hendrix FAQ: All There’s Left to Know about the Voodoo Child.
Was there anything that surprised you in your research?
I was dismayed by his neglected childhood, by how many of his tales were really tall, and how isolated he was at the time of his death. But wanting to stress the positive let me say that what was really a discovery was how truly talented the Band of Gypsys was. That’s Jimi’s all black trio that included Buddy Miles on drums and vocals and Jimi’s army buddy Billy Cox on bass and vocals. Their legacy rests almost entirely on four concerts played on two consecutive nights after a few weeks rehearsal. Now they had been playing together at recording sessions since May 21, 1969 – a few of which are on the new People, Hell and Angels collection – but their performances at Bill Graham’s Fillmore East still stand out.
For example, “Machine Gun” is one of Jimi’s Top Ten iconic songs and that comes from these concerts. And the contributions of Jimi’s fellow gypsys to that song are profound. Billy’s ominous bass line and Buddy’s rat-a-tat-tat drumming really contribute to the song’s mood. And the notable thing that most people don’t realize is they played “Machine Gun” at all four concerts and all four are worth hearing. The one that’s readily available on Band of Gypsys is even arguably not the best version. Others include snatches of “Star Spangled Banner” during Jimi’s solos and I think Jimi didn’t want to release those versions because then it would make “Machine Gun” an anti-Vietnam War song and not the anti-war song that he wanted it to be. (All four versions are available on 2 Nights at the Fillmore, a 6-CD collection.)
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A modest man but highly competitive musician, Hendrix set the stage for many of the most significant musical movements to emerge between 1970 and 1999, including heavy metal, fusion, glam rock, and rap. Voodoo bluesman, sonic producer, the lyricist that out-Dylaned Dylan: these are what snatch our attention 40 years after his death, as do his “aw, shucks” smile in photos and the raw sexuality of his concert performances. It’s hard to find the man under all the falsehoods told by friends, business associates, and even Jimi himself. Jimi Hendrix FAQ attempts to present the facts in a fast-moving, fan-friendly read.
Posted on April 8, 2013, in Music Fans and tagged Backbeat Books, FAQ, gary j. jucha, Gary Jucha, interview, jimi hendrix, Jimi Hendrix FAQ, music tomes, musictomes, q&a, QandA. Bookmark the permalink. 1 Comment.