“Should I go to a school and get more training in acting, or should I just go out there and do it?” How important is training?” “Where should I go to get training?” “What is the right kind of training for me?” These are the questions every aspiring actor finds themselves asking at some point in their career. Answers to these questions and many more can be found in A Field Guide to Actor Training , a one-stop-shopping resource for student and beginning actors looking for guidance in selecting the training that is right for them. Author Laura Wayth has kindly answered some questions about the book below.
I think any actor facing the big question, “What do I do now?” will be helped by this book. I think that all actors come to a cross-roads in their journey at some point- some come to it very early and some come to that cross-roads later. Many actors- both students and professional actors- have come to me knowing that they want more training but they aren’t sure what their next step is. They don’t know whether they should go to graduate school, get more studio training or just keep plugging away in the industry. I think that for every actor the right next step will be different, but I think that this book will help actors to ask themselves the right questions.
What kinds of topics do you cover in this book?
I touch on most of the major acting, voice and movement methodologies being taught in training programs today. I tell a little bit about their history, give actors an idea of the basic principles and try to give them a taste of what it might be like to train under a given system. I think an actor who knows themselves and knows how they work and what they respond to can then say, “Ooo! This might be a tool for me” or, “I think something else might resonate with me better”.
I also talk about the value of different training routes; studio classes vs. private coaching vs. graduate training and certificate programs. I have a Q & A section in the back of the book where I asked my current and former students what questions they wanted answers to.
What inspired you to write A Field Guide to Actor Training?
There was no book like this out there when I was a young actor. I had to figure everything out for myself. I did not have enough information about training and I wasn’t informed enough to make good decisions for myself. I wound up spending a lot of money on training that wasn’t right for me because I didn’t know what questions to ask. If I had read my book all of those years ago, I probably would have saved myself a whole lot of time and money.