Music From Rikky Rooksby

Guest Blogger: Rikky Rooksby is an author and musician. To enjoy all of his works please visit his author page.

The writing of my best-selling series of books on guitar-based songwriting was grounded in my practical experience of writing and recording my own songs as well as listening carefully to those of others. I’ve now put a selection of songs in various styles on SoundCloud.com for listening. One song comes from an album of Pet Sounds-era Beach Boys type songs. There’s another from an EP of songs marking the 25th anniversary of Led Zeppelin’s five nights at Earl’s Court in London in 1975. There are two free downloads,  out-takes from my forthcoming guitar instrumental album Atlantic Canticles. I’ve also included some extracts from my classical composing, including the first movements of a string quartet and a piano quartet, a string orchestra setting of the traditional folk tune ‘The Gaelic Waltz’, two extracts from commissioned music, and a short elegiac organ piece ‘For The Few’ written for the RAF pilots of the 1940 Battle of Britain. After the release of Atlantic Canticles I will release an album of songs.

Rikky Rooksby

Rikky Rooksby is a guitar teacher, songwriter/composer, and writer on popular music. Considered the premiere author of songwriting guides, Rooksby has also written numerous music history and guitar instruction books and has published over 200 interviews, reviews, articles, and transcriptions in music magazines. He has also transcribed and arranged more than 40 chord songbooks, including music by Bob Dylan, Bob Marley, David Bowie, Eric Clapton, The Beatles, and many other artists.

A member of the Guild of International Songwriters and Composers, Rooksby is also a sought-after teacher who leads courses on music at The Oxford Experience and other international continuing education summer schools.

Quincy Jones Talks About Michael Jackson [video]

Happy birthday, Quincy Jones!

It’s not every day that we have an author turn 80. It’s certainly not every day that we have two celebrity authors turn 80 on the exact same day. Quincy Jones (Q on Producing) and Michael Caine (Acting in Film) are celebrating their double birthday together today. Best wishes to both!


Below is an excerpt of the DVD that comes with the book Q on Producing where Quincy Jones and Bill Gibson discuss Jones’ work with Michael Jackson.

PLUS: Read a brand new interview with Bill Gibson on Voice Council!

With invaluable advice on subjects such as songwriting, scoring, and the modern music business – to be expanded on in subsequent volumes – Q on Producing provides the foundation for what is sure to be the most anticipated series of tutorials on music production ever created.

“Get it?” “Got it.” “Good.”

Guest Blogger: Jim Klein is the author of Welcome to the Jungle. In this post, Jim talks about studio internships. Read more about audio freelancing in his book and on his blog!

Showing initiative. Sticking your neck out. Acting independently. Taking a stance. Lately, I’ve been feeling that these have become forgotten concepts. Whether I’m comparing notes with fellow educators or talking to studio owners, production coordinators or other employers, there seems to be a common thread. For the last decade or so, our educational system has been churning out students who have not been trained to take the lead, think independently, or forge their own paths.  We give them study guides, multiple federal and state mandated No Child Left Behind assessments, and ask them to spit back reams of information as though that is what is valued out there in the workplace. Well, guess what?  It’s not.

Talk to anyone who has to supervise studio interns.  There are three types of interns.  Let’s say that Rock Solid Recording has a typical pathway for the advancement of interns.  An intern shift starts at 9:00 and runs until 6:00.  Each intern is given a list of jobs to do during their shift.  The list might say “Vacuum all of the carpets in the common areas. Mop the bathroom floors.  Empty all of the wastebaskets.  Clean the bathrooms with the supplies in the cleaning closet with the yellow door.”

Intern Type 1 arrives a few minutes late for his shift.  He does a half-assed job with the vacuum, getting most of the big stuff, but not moving any furniture or getting into the corners.  He mops the bathroom floors, but doesn’t use hot water or wring out the mop all that often, because it’s a pain in the ass.  He takes frequent breaks to call his girlfriend and to take Instagram photos of himself posing in front of the studio’s gold records.  He empties the wastebaskets and does a decent job on the bathrooms, but doesn’t replace an empty toilet paper roll because there wasn’t a replacement in the supply closet. He is always ready to go at the end of his shift.

Intern Type 2 is always on time…

Keep reading Jim’s post about studio interns on his blog!

Welcome to the Jungle includes chapters on setting goals, networking, building a portfolio, time management, personal and professional finances, and dealing with the ups and downs of the freelance career. The book also includes interviews with successful music and audio freelancers, such as legendary producer Howard Benson (Kelly Clarkson, Santana, Daughtry), producer/engineer Kevin Killen (Peter Gabriel, U2, Elvis Costello), bassist Julie Slick, and others.

Tips for Studio One Users

Larry the O is the author of both volumes of Power Tools for Studio One 2. Below are some excerpts from the DVD that comes with the first volume.

TEMPO TRACK

MAKING A COMP

Find more great video tutorials like these on our MusicPro Guides YouTube channel!

Power Tools for Studio One 2 is an introduction to the newest and one of the most interesting Digital Audio Workstation programs: PreSonus Studio One. Created by PreSonus in partnership with the design and programming team that created Nuendo and parts of Cubase, Studio One has quickly gained popularity since its release for its ease of use, workflow orientation, and great sound.

The Quick Vocal Performance Guide

Guest Blogger: Bobby Owsinski is the author of How to Make Your Band Sound Great and The Music Producer’s Handbook. Below is an excerpt from his blog The Big Picture.

The voice is just as much of an instrument as any other instrument in the band. Like other instruments, it needs regular maintenance to stay in its best shape. Here are a few tricks compiled from How To Make Your Band Sound Great and The Music Producer’s Handbook to not only get the best vocal performances, but to stay away from a sore throat as well.

1. Remember the 3 P’s – Pitch, Passion, Pocket. You need all three for a great vocal.
2. You’ve got to hear yourself at the correct level to stay in tune. Unless you have a lot of experience, you’ll most likely sing sharp if you’re not loud enough, and flat if you hear too much of yourself.
3. Avoid alcohol, dairy products, tea, coffee and cola before recording or a gig. All will make it more difficult to sing by either drying your throat or increasing your phlegm production.
4. Choose the best key for the song. Better to change the key than hurt yourself or sound bad trying to sing something that you’re not capable of.
Keep reading this post on Bobby O’s blog, The Big Picture.
This book explores every aspect of playing with other musicians, including the equipment, hardware, and software used in today’s increasingly complex technological world, and the principles of sound every musician needs to know to work at the level of a professional band.
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The Music Producer’s Handbook (another book in Bobby Owsinski’s successful Handbook series) describes in detail the duties and responsibilities of a music producer. In his thoughtful, down-to-earth, and savvy style, Bobby O. brings his wealth of experience to bear in answering the questions faced by all budding music producers: How do I become a producer? How do I get the best out of the musicians or vocalist? How do I get a great mix? How much money can I make?

Tips for Pro Tools Users

Glenn Lorbecki is the author of Power Tools for Pro Tools 10, and 2 books in Hal Leonard’s Quick Pro Guide series, Tracking Instruments and Vocals with Pro Tools and Mixing and Mastering with Pro Tools. Below are excerpts from the DVD that comes with Tracking Instruments and Vocals with Pro Tools.

USING PLAYLISTS

Rough Mix Tutorial

Window Configuration

Headphone Mix Tutorial

Importing Audio

Basic EQ Tutorial

Edit Window Controls

Find more great tutorials for DAWS software and other music-related skills on our MusicPro Guides YouTube channel!

Tracking Vocals and Instruments with Pro Tools is an indispensable guide to getting the most out of your music and your PT rig. Multiplatinum engineer/producer Glenn Lorbecki shows you step by step how to record vocals and a wide array of musical instruments.

The Necessity of Thinking Big

Guest Blogger: Jim Klein is the author of Welcome to the Jungle. Read more about freelancing in the music world in his book and on his blog!

I just got off the phone with an old friend of mine who lives in LA.  He’s been a freelancer for a very long time, composing for film and television, working in film as a music supervisor, playing keyboards for some pretty well known people, and more recently, producing indie records and playing shows and recording with two of his own bands.  We were talking about the huge changes the music business has undergone in the last decade, and how much harder it is to scrape together a decent living as a freelancer.

The typical fee or rate that a musician, audio engineer, or recording studio could expect to charge for a typical recording or live gig has DROPPED significantly since I came onto the scene in the early 80s. There are lots of reasons for this, and you can spend a week or two Googling them if you want the details. The main thing is that there are two ways to look at this difficult reality: glass half empty or glass half full.

In my opinion, far too many of the kids I talk to have reacted to this new reality by lowering the bar and scaling down their dreams. They react to how tough things are by giving up before they even get started. Is the music industry more difficult and competitive than it used to be?  No doubt.  Confronted with cold hard reality, it’s understandable why so many people have downsized their career aspirations.  Understandable, yes.  But I feel like it’s also a BIG mistake.

I’ve always felt that it’s important to have a “balanced portfolio” as a freelancer…

Read the rest of this post on Jim Klein blog

Welcome to the Jungle includes chapters on setting goals, networking, building a portfolio, time management, personal and professional finances, and dealing with the ups and downs of the freelance career. The book also includes interviews with successful music and audio freelancers, such as legendary producer Howard Benson (Kelly Clarkson, Santana, Daughtry), producer/engineer Kevin Killen (Peter Gabriel, U2, Elvis Costello), bassist Julie Slick, and others.

Studio One

Guest Blogger: William Edstrom, Jr. is the author of Studio One for Engineers and Producers. For his full article, visit presonus.com.

I’ve done projects in just about every DAW on the market. To use most of these systems you need to be in a very technical frame of mind. About three years ago, I was looking for something simpler—something to get creative songwriting ideas out. That’s when I discovered Studio One. The workflow made sense to me and it helped me write.

As I got more interested in Studio One, I discovered anther great thing—a community of users that were amazingly helpful and enthusiastic. I started contributing to the PreSonus Forum with some free YouTube videos which lead to my work with Groove 3. I went on to create four volumes (24 hours worth!) of video training for Studio One.

When I started talking to Bill Gibson at Hal Leonard about some book concepts, I really wanted to do a Studio One book. I think they see the potential for this DAW because they have already published Larry the O’s book Power Tools for Studio One with a second volume on the way…

Keep reading this article on presonus.com!

Studio One for Engineers and Producers

Studio One for Engineers and Producers is specifically designed to help engineers and producers who are already comfortable using another DAW software platform make the transition to Studio One. Text, illustrations, and video examples (on the accompanying DVD-ROM) demonstrate the creative, practical, and technical benefits provided by PreSonus in this modern, well-developed, flexible, and user-friendly application. All instruction is presented in straightforward and simple language that gets right to the point, taking into consideration the need for amateurs, home studio owners, and commercial professionals to get up to speed very quickly.

This Quick Pro Guide starts by relating Studio One’s layout and functionality to other common DAWs, to identify the most important similarities and differences. It then follows the creative process through the normal progression of a modern recording/production, to help the reader get to work as soon as possible. This new cross-platform (Mac/PC) DAW is built from the ground up for speed, efficiency, and power; Studio One for Engineers and Producers is the perfect tool to shorten the pathway from installation to inspiration!

Tips on Desktop Mastering

SteveTurnidgeHeadshot
Steve Turnidge
is the author of Desktop Mastering. Below are his tips on desktop mastering. Some of these videos are excerpts from the DVD-ROM that comes with the book.

 

DVD-ROM TOUR

Desktop Mastering videos from Steve Turnidge
Special Place

Within You

Lay Your Plan on Me

Fill the Ocean

Data Cascade

Tour of Desktop Mastering

Find more great pro audio tutorials on our MusicPro Guides YouTube channel!

Desktop Mastering is a conceptual guide, intertwining a broad range of knowledge regarding audio engineering principles and practical applications for those wishing to enhance their own as well as their clients’ work. In addition to providing a step-by-step in-depth survey of a successful mastering plug-in chain, Desktop Mastering covers real-world practical applications, the fundamentals of audio and electronics. Also included is a personal guide to the business of mastering, leveraging emerging social networks for positive personal and business results.

Rich Podolsky, an interview

 Onstage and Backstage podcast from Hal Leonard is available on iTunes and Libsyn. Each episode authors and their guests have a chat about the topics of their books. Today, Rich Podolsky, author of Don Kirshner: The Man with the Golden Ear joins Ed Robertson in this episode of TV Confidential. This episode has been reposted on Onstage and Backstage podcast with permission of TV Confidential.

>>>LISTEN HERE<<<

Don Kirshner: The Man with the Golden Ear by Rich Podolsky
In 1958, long before he created and hosted Don Kirshner’s Rock Concert, the most dynamic rock-and-roll series in television history, before he developed the Monkees and created the Archies, Don Kirshner was a 23-year-old kid with just a dream in his pocket. Five years later he was the prince of pop music. He did it by building Aldon Music, a song publishing firm, from scratch. This is about how he did it – with teenage discoveries Bobby Darin, Carole King, Neil Sedaka, and more.